Showing posts with label Kalen. Show all posts
Showing posts with label Kalen. Show all posts

Monday, October 3, 2016

Retro -- The Fallout

Pen
THE SETTING:

A green field somewhere in Washington Park, clover and the dream of green: green as green only is when man wishes green to exist; green as a fairy's glade, green as a hope of summer. The setting: flower garden nearby, and it's late evening - not dark yet. Darkness will descend during the second act of

TIDUS ANDRONICUS

OR

THE TEMPEST

OR

MUCH ADO ABOUT NOTHING*.

THE TIME:

Right now the sun is sinking, thinking about setting, There is a stage built up in the park for tonight's play, beginning soon--twenty minutes from now.

People are still coming with their blankets, their picnic baskets, their transportable chairs.

THE CAST:

Penelope Mercury Mars has already staked out a corner of the grass and has spread a nubby blanket out, something in grays and blues which looks like the sea and is well-worn, worn-so-well that it is raveling, that the only hope it had to continue its existence was to become a picnic blanket. Picnic blanket, most hallowed of blanket jobs!



*VOTE FOR THE PLAY NOW. BY SHOUTING IT OUT, OOC.

Grace
Grace came with Kalen, bringing the necessary food and drink. She would also consider robots to be necessary, but apparently no -- they are not actually so. Shakespeare did not know of robots. A very sad fact that, with time machines, should be possible to rectify. Why has this not been done yet? Or perhaps it has.

Shakespeare must have had to beat down the time travelers with a special stick made just for future-people. He probably gave it a unique name that would, had he writ it down, have survived the ages.

Shakespeare did know of spirits and wizards though, that much is evident by the play on offer today in the park. It also shows his feelings towards all those time travelers, by making his wizard break and bury his staff and abandon magic altogether.

"Woostick. I think he would have called it that. Or a Magerybopper. You think? A stick for bopping sorcerers?"

That, by the way, comes out of nowhere. If anyone were to ever ask Grace Evans what she was thinking at any given time, it might just be something like that.

Nick
Nicholas Hyde arrives very-nearly-late, particularly for someone well-versed in the Art of Time.  He appears in a whirlwind of dark hair (unfortunately frizzed by humidity) and checkered blue dress shirt and grey tie, fresh from work, and there is a bottle-shaped object in his hand, covered in a brown paper bag.

He halts at the edge of the park, scanning over the gathered heads, and: fortunately Pen's is bright red enough to be spotted quickly.

So he beelines, and soon enough he is about to -

"Oh.  Hello, Grace," he says, lifting a hand in a wave as he approaches and notices the Elite there with his wife.

Elliott Chandler
Kalen Michael Holliday has been a lot of people.  He is, in the end, another person now.

They are about to watch the Tempest.  None of the people he has ever been have watched this play.  None of the people he has ever been understood how to just stop and watch something ridiculous for the sheer joy of it.  The people he has been, likewise, read things to help them survive.

He appears tonight with Grace, calm enough, in jeans and a plain pale gold tee-shirt.  They have enough food to feed a small army.  And coffee.  Two kinds of coffee because some people want dark roast and some people like those blonde coffees.  It is, at least, less complicated than when he brings hot chocolate with about a dozen kinds of gourmet marshmallows.  (But there are hazelnut marshmallows, for Grace to put in her coffee.  And some extra.)

Both Pen and Nick get a subdued, though not hesitant wave.  "Hey."

Pen
Here are Grace and Kalen. Pen lifts a chin by way of greeting once they're close enough for her to acknowledge: cool, welcoming - glad, see, in a way that is quite uncomplicated. She is glad about people. The air is full of possibility; of spirits, of the end of a day; it is sleepless. See how she chases it with the luminous slash of a smile and a raised hand, fingers curved just so. Hello! Come here? Yes no? There's this flick of a look toward Nick because it has been all day long, all long day long, and such engenders longing, and anyway: she is glad in an uncomplicated way to see people knows; she longs in an uncomplicated way for someone she does.

There's a bag of stuff on one corner of the blanket. That includes an environment conscious bug repellent, some fancy cheeses, grapes, bottles; it includes salt and vinegar chips and a baguette. Simplicity.

Grace
"Hello! You like your coffee dark or light roasted? I... think this one is light," she says, grabbing a green thermos out of her bag and shaking it next to her ear, as though she could hear the darkness thereof.

The differences in what people constitute a picnic is definitely on display here, as Grace then unlugs her bag of coffee and stuff all over Pen's blanket. There are multiple thermoses. And marshmallows. And udon noodle take-out. And dumplings of some unknown kind. Also, cupcakes, because Grace decided that sugar was necessary.

There is very little simplicity here, or even a theme beyond "Hey, this might be tasty." Chaos, definitely. Delishus chaos.

And, also, a bit of bluntness, as if Pen and Nick's blanket were already hers to plop down upon. After all, the food and drink are also already theirs.


Nick
Nicholas watches as Grace's bounty spills all over the blanket: dumplings and marshmallows and thermoses and take-out.  A very generous bounty, all told.  It takes him a half a heartbeat, but he smiles up at Grace after a moment and gestures to the expanse of blanket.

Then he hands the bottle-shaped object to Pen, and takes a moment to reach up and loosen his tie and undo the last button on his collar before he sits down and leans over to place a kiss on her cheek.

His gaze then returns up to Grace and the man with her.  "Who's this with you?"

Elliott Chandler
Elliott seems a little more hesitant to just take over their blanket, although he does not seem at all concerned that Grace is putting their food out for people he barely knows.  Still, even if he has abandoned the Order, he is fond of Penelope Mercury Mars.  He settles; relaxed enough, yes, but at the very edges of the blanket.

For a second, even though he came with the food, even though he picked it out with Grace, he studies the food as though it seems as new to him as to anyone else.  He still expects something else.  Something more like what Penelope brought.  And wine.  Red wine and a different language.

Denver still seems surreal.  "We met once," he says quietly to Nick.  "Some time ago.  Though I was someone else then, I suppose."  Not that he actually offers anything other than that.  Apparently Nick asked Grace and will get his answers from Grace.

"Penelope," he says.  It is all the greeting that she gets, but there is a warmth to the tone and there is a little smile.  No.  It is almost all the greeting she gets, because now, now that they aren't bound by their Tradition and separated by it (though Pen may not yet have heard), Elliott reaches out across the expanse of nubbly blanket to offer Pen a hand.

Pen
"What a feast is here," Pen says, as Grace begins to unload thermoses and dumplings and cupcakes/as Nick bends down to hand Pen the bottle of (shh, it isn't alcohol, to be consumed publicly; it is in a brown paper bag, which everybody knows is just how people choose to drink juice sometimes in parks on warm summer evenings while the lightning bugs spark and the stars come out peer out slip away from the edges of the clouds which roil on the horizon to the west see and it will be a beautiful sunset once it comes for certain a sunset like a battle between Hell and Heaven a sunset of gold foil rims of luminous and bloody) wine. She sets the wine bottle down but her hand stays finds Nick's arm and then his thigh and then oh good a Nicholas shaped chair.

To Grace: "I like my coffee dark, but I'm not adverse to light. Would you two like to share our grapes, perhaps some wine? Have you two seen this troupe perform before? I hear they are very good, and that Prospero will be Prospera."

"I feel I haven't seen either of you in an age!"

Grace
Grace looks back and forth between the two men in disbelief. They don't know each other. "Kalen, you're so antisocial these days," she says, no disappointment or shaming there, just a statement.

Kalen will be as he is in the moment -- a whirl of changes around an essentially good man.

"This is Kalen. Or Elliot. It depends on what he wants to be called. My partner in crime and business, which is really one and the same when you think about it." It certainly is where Grace is concerned, in so many different ways.

Then, she goes to making a hole in the cupcake box. Managing that, she hands a lavender vanilla bean one over to Kalen, who clearly needs it.

"We are hoping to open a community center here at some point, because Denver needs more counselors before it goes and hurts itself again."

Pen explains how she likes her coffee dark, so Grace examines a red thermos and rolls it over. "This one's dark! There's a creamer tin in here somewhere, and hazelnut marshmallows..."

Nick
There is a furrowing of Nick's brows as Kalen says they have met before, and: it is hard to pin down faces sometimes, when one is continually meeting new people day in and day out.  Grace mentions Kalen, though, and then there is a light of recognition - ah! and Nick nods and extends a hand forward and up.

"I remember you from the meeting now.  Good to see you again," he says, apparently nonplussed as Pen seats herself on him; evidently he is so used to it that it gives him little pause.

Denver needs more counselors, Grace says, and there is another little furrow of his brows and Nick hmms and reaches for a few grapes.  "Were both of you expecting other people?"

Elliott Chandler
"I've been away a bit," he says to Penelope.  "But I've missed home.  And the people in it."

Elliott reaches for Nick's hand once his is free of Penelope's.  "Good to see you."  He smiles a little again, relaxed but for the first time a little unsure and his eyes travel from Nick to Pen, even if he is still, at least in theory, answering Nick's question about who he is.  "Probably Elliott, more than Kalen.  I've left the people I took that Name with.  Enough people know me by that that I expect it will stick with some of them."

"Denver," Elliott says, returning his attention actually to Nick, "Has a way of seeing to it that one encounters others.  We've simply learned never to assume that we will have a solitary picnic."

Pen
The clasp of hands, Pen to Kalen, was firm: gacious. Pen: she leans back against Nicholas and watches Grace's fingers whisper over the thermoses as if she were shaping the existence of dark roast as if she were a trasure-keeper, market-owner, and aren't there legends about Mercurial Elite Virtual Adepts and their caffinated rites in the deep dark hallowed hollow light of their monitors, rites which - fueled so, by coffee - might shed this world and blossom another? "Hazelnut marshmallows?" soft, this, and bright.

Then: "I recall you - " Kalen. A glance fixes him as the subject. " - saying something about community outreach among the sleepers."

And the conversation flows, as conversation will, and Penelope leans forward a touch to reach for thermos or pull out a cup so that Grace can pour some of the dark roast in (drink of shadows), and then:

The temperature does not drop in actuality, but Pen: she sharpens, come suddenly to attention: is as still, see, as ever anything ready to be pulled from a stone. She is studying Kalen. She studies him all through his commentary on the possibility of solitary picnics in Denve.

And then she says, "Why have you abandoned your Name?"

Grace
"We always expect other people. It's the way of things."

Grace just keeps right on going, after Pen's iciness shows up, offering a kettle-shaped ceramic device to her -- it is the creamer. A tube of marshmallows follows, their brown color indicative of something fancier than Jet-Puffed.

"He's decided to go be a priest of like, all the gods," Grace says, and she is so incorrect, and she knows it, and yet -- this is fun. "We've not got room for all the statues. He got me a Buddha one for my room, and I don't even have a room to put it in yet."

A conspiratorial smile at Kalen, there. Come, play this game with me. It won't be that bad, her eyes say. No matter what.


Nick
Nick settles an arm around Pen and reaches for the bottle of wine even as the others are preparing coffee - at night, in the summer, in the park.  Nick will take the wine, thank you.

"A priest of all the gods?" he asks, and here he turns his eyes up to the other man, and there's a sort of easy acceptance in them: curiosity and openness are often the same thing.  "So you're joining the Celestial Chorus, then?"

Elliott Chandler
Elliott does not, not really mind Penelope's sharpened attention.  He understands that this must, to her, seem as incomprehensible as it once seemed to him.

Grace tries to play, to seize the threat of an oncoming storm and to wrest from it something gentler and warmer.  There is a smile that flickers briefly, something that speaks more of fondness and indulgence than agreement.  Elliott though, allows Penelope to still see his eyes.  His expression.

Because this conversation is less about Nick, really.  Nick just got caught up in a moment between one Flambeau and one former Flambeau.  Grace struggles to pull away from the seriousness of the moment, but Elliott owes Penelope more than that.  They were family, once.  They might be, in another way, family again.

"For years," he says, very quietly, "Everything I did, everything I was called to do...there is a war whether I will it or not.  I will not try to pretend our world is otherwise.  But over and over and over again, the solutions I had were...."  His voice trails off, and it not only that they are surrounded by Sleepers.  Those Sleepers can almost certainly not hear him.  "They were what they were.  I do not regret what I have been.  Those things needed to be done.  But I was always too late, Penelope.  I was always too late and there was but one solution when I arrived.

"It wasn't enough.  I can't be what I was.  Not anymore.  And what use, your people, for someone who has only horror left for war."  He shakes his head.  "Fuck, Penelope.  There may be circumstances that force my hand, but given the choice...I would never again do the things that I have been forced to do.

"I don't belong there anymore, with you.  You know that.  I think you've always known that."

His attention slides from Penelope to Nick.  "Not of any, I'm afraid.  I just have a very inclusive sculpture garden.  Though you're right, about that second thing."

Grace
Grace fake-pouts at Kalen, because he's decided to be serious and not play along with her. Even about being a priest of all the gods. Inclusive sculpture garden? Pah. The hat one has to wear to be a priest of the All-Fathers has to be enormous and grand(iose). It would be awesome. To make fun of.

"There goes my plans to get you a Pope-headdress for Halloween..."

She obtains herself the thermos of other coffee, the blonde, as though Grace ever had a preference when it came to caffeine. She minds the taste of course, they are all lovely.

"You want a dumpling?" she says, to Pen. Dumplings make things better. Don't they?

Pen
When Pen feels Nick's muscles move, she reaches for the wine bottle and snags it before he. The paper bag crinkles and she sets it between her knees, investigates the bottle's neck and mouth,  ah, a cork and the bottle opener tucked away in the bag with grapes, too far for her to reach easily.

Never let it be said that Penelope is not a poised woman; she is poised, just now, and the thing about poise: one cannot tell whether it is because one is on a narrow edge, or a wide avenue; it is only poise; it might be the same anywhere, and ever. Her eyes are such a grey -- Prospero might've conjured such a color for his seaspray-laced cloak or Sycorax (Circe) might've looked into the scrying cup with eyes that witching; that gloam-drunk; that clear. She swiped the wine bottle but she is listening to Kalen Holliday Who Isn't Any Longer explain his weariness.

Her eyes stay on him as she leans forward to snag the bag; get the corkscrew, unfold it: a shining bit of metal. She hands them both to Nicholas, demurs with a courteous shake of her head when Grace asks her if she'd like a dumpling. She would not like a dumpling, just as she does not want the creamer; she does not take it when it is handed to her, unless Grace looks a though she's going to drop it other; then she takes it and sets it down.

"Why do you think I've always known that, Elliot? What could you mean?" It is easy for her to change names for someone; as long as they claim the name, it can be theirs.

She is poised, sure; that does not preclude passion. It tints her voice; it's there in the cant of her head - the flash of her throat when she glances at the stage, conscious alertness, then brings her eyes back; it's in the very slow circling of her fingertips along Nick's knee. She might not even realize she is doing that - she'd abhor what might be regarded as a superfluous movement right now. 

"Do you believe I hold something in my heart for 'war' other than horror?" 

Beat. "This conversation may not be comfortable for our companions." 

Grace
Oh, the ice descends upon this place, now that both Kalen and Pen have ignored her unspoken pleas to keep this whole thing lighthearted. She's been heavy too long. Going to collapse into a black hole at this rate. One must be determined to avoid that kind of thing. It can suck you in, despair. Looking at abysses and all that.

Grace smirks at Pen when she starts declining to accept gifts. Somebody is getting a never-ending delivery of hazelnut marshmallows to their house. More than one could possibly consume in a day, every day. She'll make it hard to cancel, just for fuck's sake. Don't like hospitality? That's too bad. She's going to hospitality the fuck out you. And just try to complain about being buried in a mountain of marshmallows. Oh, that will be fun.

She pulls out her phone, starts typing. "Hey, Nick? Where do you guys live? I want to send you something. Very important, can't discuss this sort of thing in public, you know."

Well. There will be marshmallows. And a note, which won't arrive via shipment. Wrap a lie in a truth, yes? She does have important things to share. And it looks like she and Elliot won't be welcome on the blanket here for too much longer.

Nick
Pen's demeanor changes, and Nicholas is quiet as it does.  He allows Pen to take the bottle of wine (still paper-wrapped) from his hands, and then moments later to hand it back to him with the corkscrew, and he does this all wordlessly.  There is a deftness in his fingers as he flips the wings on the corkscrew up and works the screw into the cork with a few quick spins of his hand, and then he pulls it free with a pop.

His silence could be mistaken for trepidation or fear: his wife is a passionate woman, and Nicholas is an insightful man, and the current of tension passing between her and Elliot could not go unmissed.

Grace says his name and this draws his eyes up and away from what he is doing, and then there is a little furrow of his brows.  "We don't give out our home address, but I can give you the P.O. Box," he says, his voice tinged with apology.  "What is it?"

Elliot
Penelope's attention sharpens.  It is impossible not to note the shift in the energy, but Elliott seems unconcerned.  Truthfully, he has not faced many beings he would consider more dangerous than Penelope.  Nor, truthfully, more graceful.  Iris was, perhaps, both of those things and he stayed his ground then.  His lack of fear then and his lack of fear now are similar things - to him, neither Iris or Penelope are enemies.

There are, aren't there, reasons he is leaving the Flambeau?

"If I thought you had any love of war," Elliott says softly, barely audible over the crowd, "I would not have offered you advice when you arrived in my city, I would have found the leverage to run you out.  I certainly would not be here now.

"I meant only that I thought you saw what I was just coming to understand then, which is that at some point I was going to hesitate a second too long and someone was going to get hurt.  Perhaps worse.  And that changed, in some respects, everything.  Not because I loved what I did once and did no longer, but because I was no longer capable.

"That my place is between people and things that would make them suffer has not changed.  But the ways in which I can protect them have changed.  Enough that in some ways, our path are divided.  

"Though I do hope not in all of them." 

Pen
There is a spark of reaction: a shooting star is the same thing as a falling star, and both smoulder in the wizard's cup. Her eyebrows perk: eloquent. He'd have found the leverage. She listens. She listens earnestly and with a whisper of tension in her shoulders and the End-of-Afternoon gold is gathered up, growing long in this twilight. Grace and Nick are having their own conversations: sort of. 

Pen. Simply: "I don't know what to say to you." 

Her gaze wicks away as water wicks from a stone. It lingers on the sward where the play is to be performed as she sets her thoughts in order (tries to). Her voice is confessional quiet but intense: of course it is intense (vibrant). "I'm not insightful as some other people are. I wish I was. I don't know how to say the right thing." Now her gaze flicks back to Elliott. "There's probably a right thing to say to you, but Ash and Oak wither if I know it. I should probably say nothing. But I can't say nothing. What should I say?"

"I don't believe you see the Order clearly. And how could you see yourself clearly in the Order if you don't see it clearly? You're speaking as if there's only one way to be. As if the only thing to do is fight and toil in gruesome scenes and watch your conscience chiseled away as you follow orders like tock follows tick and there's only one set of orders; but there's more than one House and more than one way to be. What is our Will for if not the freedom to choose and make what we would. I just -

"Tonight I want to watch the Tempest with Nicholas. I don't want to watch it with someone who I know, freshly know, feels such contempt for one of the more important things in my life. Elliott, I'm sure our paths will cross again. But right now you two should find your own blanket. I'm sorry, Grace. Thank you for the marshmallows and the coffee."

Grace
People are mostly incomprehensible. Kalen... Elliot didn't say the things that Pen's accusing him of. Contempt? Grace is still quite dedicated to bringing the fight to wherever it needs to be, and he holds no contempt for her, only love. Always that. Grace had expected this reaction from some people. Pen? Well.

Suppose that answers that question.

Not allowed to know where they live, not allowed in their general area even. For the present, at least. Until Pen cools down, if she cools down. On second thought, sending her marshmallows might be misconstrued as appeasement.

Grace sighs, looks around at the scattered array of food and drink, starts re-packing her favorites up into her bag.

"We can't both survive, and put these walls up between us."

She looks to Kalen, gives a sad smile. It'll be okay.

"I am going to be sending you both the details of what you should actually be getting worked up about." She lowers her voice. "Apprentices have been getting disappeared from Colorado Springs. The locals think it might be our most favorite enemies."

Sending it to your P.O. box. Because that's apparently safer. Yes.

"He doesn't hold contempt for you or what you believe in, Pen. Otherwise, he'd have contempt for me too. One thing I am not about to do is stop fighting."

Thursday, July 28, 2016

The Tempest (In Progress!)

Pen
THE SETTING:

A green field somewhere in Washington Park, clover and the dream of green: green as green only is when man wishes green to exist; green as a fairy's glade, green as a hope of summer. The setting: flower garden nearby, and it's late evening - not dark yet. Darkness will descend during the second act of

TIDUS ANDRONICUS

OR

THE TEMPEST

OR

MUCH ADO ABOUT NOTHING*.

THE TIME:

Right now the sun is sinking, thinking about setting, There is a stage built up in the park for tonight's play, beginning soon--twenty minutes from now.

People are still coming with their blankets, their picnic baskets, their transportable chairs.

THE CAST:

Penelope Mercury Mars has already staked out a corner of the grass and has spread a nubby blanket out, something in grays and blues which looks like the sea and is well-worn, worn-so-well that it is raveling, that the only hope it had to continue its existence was to become a picnic blanket. Picnic blanket, most hallowed of blanket jobs!



*VOTE FOR THE PLAY NOW. BY SHOUTING IT OUT, OOC.

Grace
[THE TEMPEST! WOO!]

Grace
[If everyone is waiting for everyone else to vote before posting their long entry doodad, so am I. Voooooooote!]

Nick
[Tempest it is!]

Elliott Chandler
[I'm down with the Tempest!]

Grace
Grace came with Kalen, bringing the necessary food and drink. She would also consider robots to be necessary, but apparently no -- they are not actually so. Shakespeare did not know of robots. A very sad fact that, with time machines, should be possible to rectify. Why has this not been done yet? Or perhaps it has.

Shakespeare must have had to beat down the time travelers with a special stick made just for future-people. He probably gave it a unique name that would, had he writ it down, have survived the ages.

Shakespeare did know of spirits and wizards though, that much is evident by the play on offer today in the park. It also shows his feelings towards all those time travelers, by making his wizard break and bury his staff and abandon magic altogether.

"Woostick. I think he would have called it that. Or a Magerybopper. You think? A stick for bopping sorcerers?"

That, by the way, comes out of nowhere. If anyone were to ever ask Grace Evans what she was thinking at any given time, it might just be something like that.

Nick
Nicholas Hyde arrives very-nearly-late, particularly for someone well-versed in the Art of Time.  He appears in a whirlwind of dark hair (unfortunately frizzed by humidity) and checkered blue dress shirt and grey tie, fresh from work, and there is a bottle-shaped object in his hand, covered in a brown paper bag.

He halts at the edge of the park, scanning over the gathered heads, and: fortunately Pen's is bright red enough to be spotted quickly.

So he beelines, and soon enough he is about to -

"Oh.  Hello, Grace," he says, lifting a hand in a wave as he approaches and notices the Elite there with his wife.

Elliott Chandler
Kalen Michael Holliday has been a lot of people.  He is, in the end, another person now.

They are about to watch the Tempest.  None of the people he has ever been have watched this play.  None of the people he has ever been understood how to just stop and watch something ridiculous for the sheer joy of it.  The people he has been, likewise, read things to help them survive.

He appears tonight with Grace, calm enough, in jeans and a plain pale gold tee-shirt.  They have enough food to feed a small army.  And coffee.  Two kinds of coffee because some people want dark roast and some people like those blonde coffees.  It is, at least, less complicated than when he brings hot chocolate with about a dozen kinds of gourmet marshmallows.  (But there are hazelnut marshmallows, for Grace to put in her coffee.  And some extra.)

Both Pen and Nick get a subdued, though not hesitant wave.  "Hey."

Pen
Here are Grace and Kalen. Pen lifts a chin by way of greeting once they're close enough for her to acknowledge: cool, welcoming - glad, see, in a way that is quite uncomplicated. She is glad about people. The air is full of possibility; of spirits, of the end of a day; it is sleepless. See how she chases it with the luminous slash of a smile and a raised hand, fingers curved just so. Hello! Come here? Yes no? There's this flick of a look toward Nick because it has been all day long, all long day long, and such engenders longing, and anyway: she is glad in an uncomplicated way to see people knows; she longs in an uncomplicated way for someone she does.

There's a bag of stuff on one corner of the blanket. That includes an environment conscious bug repellent, some fancy cheeses, grapes, bottles; it includes salt and vinegar chips and a baguette. Simplicity.

.

Grace
"Hello! You like your coffee dark or light roasted? I... think this one is light," she says, grabbing a green thermos out of her bag and shaking it next to her ear, as though she could hear the darkness thereof.

The differences in what people constitute a picnic is definitely on display here, as Grace then unlugs her bag of coffee and stuff all over Pen's blanket. There are multiple thermoses. And marshmallows. And udon noodle take-out. And dumplings of some unknown kind. Also, cupcakes, because Grace decided that sugar was necessary.

There is very little simplicity here, or even a theme beyond "Hey, this might be tasty." Chaos, definitely. Delishus chaos.

And, also, a bit of bluntness, as if Pen and Nick's blanket were already hers to plop down upon. After all, the food and drink are also already theirs.

Nick
[Was this all a pre-arranged invite setup ICly?]

Grace
[Nope, Grace just said hi, noticed there was a blanket, and was like "Of course they mean me to join them."]

Nick
Nicholas watches as Grace's bounty spills all over the blanket: dumplings and marshmallows and thermoses and take-out.  A very generous bounty, all told.  It takes him a half a heartbeat, but he smiles up at Grace after a moment and gestures to the expanse of blanket.

Then he hands the bottle-shaped object to Pen, and takes a moment to reach up and loosen his tie and undo the last button on his collar before he sits down and leans over to place a kiss on her cheek.

His gaze then returns up to Grace and the man with her.  "Who's this with you?"

Elliott Chandler
Elliott seems a little more hesitant to just take over their blanket, although he does not seem at all concerned that Grace is putting their food out for people he barely knows.  Still, even if he has abandoned the Order, he is fond of Penelope Mercury Mars.  He settles; relaxed enough, yes, but at the very edges of the blanket.

For a second, even though he came with the food, even though he picked it out with Grace, he studies the food as though it seems as new to him as to anyone else.  He still expects something else.  Something more like what Penelope brought.  And wine.  Red wine and a different language.

Denver still seems surreal.  "We met once," he says quietly to Nick.  "Some time ago.  Though I was someone else then, I suppose."  Not that he actually offers anything other than that.  Apparently Nick asked Grace and will get his answers from Grace.

"Penelope," he says.  It is all the greeting that she gets, but there is a warmth to the tone and there is a little smile.  No.  It is almost all the greeting she gets, because now, now that they aren't bound by their Tradition and separated by it (though Pen may not yet have heard), Elliott reaches out across the expanse of nubbly blanket to offer Pen a hand.

Pen
"What a feast is here," Pen says, as Grace begins to unload thermoses and dumplings and cupcakes/as Nick bends down to hand Pen the bottle of (shh, it isn't alcohol, to be consumed publicly; it is in a brown paper bag, which everybody knows is just how people choose to drink juice sometimes in parks on warm summer evenings while the lightning bugs spark and the stars come out peer out slip away from the edges of the clouds which roil on the horizon to the west see and it will be a beautiful sunset once it comes for certain a sunset like a battle between Hell and Heaven a sunset of gold foil rims of luminous and bloody) wine. She sets the wine bottle down but her hand stays finds Nick's arm and then his thigh and then oh good a Nicholas shaped chair.

To Grace: "I like my coffee dark, but I'm not adverse to light. Would you two like to share our grapes, perhaps some wine? Have you two seen this troupe perform before? I hear they are very good, and that Prospero will be Prospera."

"I feel I haven't seen either of you in an age!"

Grace
Grace looks back and forth between the two men in disbelief. They don't know each other. "Kalen, you're so antisocial these days," she says, no disappointment or shaming there, just a statement.

Kalen will be as he is in the moment -- a whirl of changes around an essentially good man.

"This is Kalen. Or Elliot. It depends on what he wants to be called. My partner in crime and business, which is really one and the same when you think about it." It certainly is where Grace is concerned, in so many different ways.

Then, she goes to making a hole in the cupcake box. Managing that, she hands a lavender vanilla bean one over to Kalen, who clearly needs it.

"We are hoping to open a community center here at some point, because Denver needs more counselors before it goes and hurts itself again."

Pen explains how she likes her coffee dark, so Grace examines a red thermos and rolls it over. "This one's dark! There's a creamer tin in here somewhere, and hazelnut marshmallows..."

Nick
There is a furrowing of Nick's brows as Kalen says they have met before, and: it is hard to pin down faces sometimes, when one is continually meeting new people day in and day out.  Grace mentions Kalen, though, and then there is a light of recognition - ah! and Nick nods and extends a hand forward and up.

"I remember you from the meeting now.  Good to see you again," he says, apparently nonplussed as Pen seats herself on him; evidently he is so used to it that it gives him little pause.

Denver needs more counselors, Grace says, and there is another little furrow of his brows and Nick hmms and reaches for a few grapes.  "Were both of you expecting other people?"

Elliott Chandler
"I've been away a bit," he says to Penelope.  "But I've missed home.  And the people in it."

Elliott reaches for Nick's hand once his is free of Penelope's.  "Good to see you."  He smiles a little again, relaxed but for the first time a little unsure and his eyes travel from Nick to Pen, even if he is still, at least in theory, answering Nick's question about who he is.  "Probably Elliott, more than Kalen.  I've left the people I took that Name with.  Enough people know me by that that I expect it will stick with some of them."

"Denver," Elliott says, returning his attention actually to Nick, "Has a way of seeing to it that one encounters others.  We've simply learned never to assume that we will have a solitary picnic."

Pen
The clasp of hands, Pen to Kalen, was firm: gacious. Pen: she leans back against Nicholas and watches Grace's fingers whisper over the thermoses as if she were shaping the existence of dark roast as if she were a trasure-keeper, market-owner, and aren't there legends about Mercurial Elite Virtual Adepts and their caffinated rites in the deep dark hallowed hollow light of their monitors, rites which - fueled so, by coffee - might shed this world and blossom another? "Hazelnut marshmallows?" soft, this, and bright.

Then: "I recall you - " Kalen. A glance fixes him as the subject. " - saying something about community outreach among the sleepers."

And the conversation flows, as conversation will, and Penelope leans forward a touch to reach for thermos or pull out a cup so that Grace can pour some of the dark roast in (drink of shadows), and then:

The temperature does not drop in actuality, but Pen: she sharpens, come suddenly to attention: is as still, see, as ever anything ready to be pulled from a stone. She is studying Kalen. She studies him all through his commentary on the possibility of solitary picnics in Denve.

And then she says, "Why have you abandoned your Name?"

Grace
"We always expect other people. It's the way of things."

Grace just keeps right on going, after Pen's iciness shows up, offering a kettle-shaped ceramic device to her -- it is the creamer. A tube of marshmallows follows, their brown color indicative of something fancier than Jet-Puffed.

"He's decided to go be a priest of like, all the gods," Grace says, and she is so incorrect, and she knows it, and yet -- this is fun. "We've not got room for all the statues. He got me a Buddha one for my room, and I don't even have a room to put it in yet."

A conspiratorial smile at Kalen, there. Come, play this game with me. It won't be that bad, her eyes say. No matter what.

Nick
Nick settles an arm around Pen and reaches for the bottle of wine even as the others are preparing coffee - at night, in the summer, in the park.  Nick will take the wine, thank you.

"A priest of all the gods?" he asks, and here he turns his eyes up to the other man, and there's a sort of easy acceptance in them: curiosity and openness are often the same thing.  "So you're joining the Celestial Chorus, then?"

Elliott Chandler
Elliott does not, not really mind Penelope's sharpened attention.  He understands that this must, to her, seem as incomprehensible as it once seemed to him.

Grace tries to play, to seize the threat of an oncoming storm and to wrest from it something gentler and warmer.  There is a smile that flickers briefly, something that speaks more of fondness and indulgence than agreement.  Elliott though, allows Penelope to still see his eyes.  His expression.

Because this conversation is less about Nick, really.  Nick just got caught up in a moment between one Flambeau and one former Flambeau.  Grace struggles to pull away from the seriousness of the moment, but Elliott owes Penelope more than that.  They were family, once.  They might be, in another way, family again.

"For years," he says, very quietly, "Everything I did, everything I was called to do...there is a war whether I will it or not.  I will not try to pretend our world is otherwise.  But over and over and over again, the solutions I had were...."  His voice trails off, and it not only that they are surrounded by Sleepers.  Those Sleepers can almost certainly not hear him.  "They were what they were.  I do not regret what I have been.  Those things needed to be done.  But I was always too late, Penelope.  I was always too late and there was but one solution when I arrived.

"It wasn't enough.  I can't be what I was.  Not anymore.  And what use, your people, for someone who has only horror left for war."  He shakes his head.  "Fuck, Penelope.  There may be circumstances that force my hand, but given the choice...I would never again do the things that I have been forced to do.

"I don't belong there anymore, with you.  You know that.  I think you've always known that."

His attention slides from Penelope to Nick.  "Not of any, I'm afraid.  I just have a very inclusive sculpture garden.  Though you're right, about that second thing."

Grace
Grace fake-pouts at Kalen, because he's decided to be serious and not play along with her. Even about being a priest of all the gods. Inclusive sculpture garden? Pah. The hat one has to wear to be a priest of the All-Fathers has to be enormous and grand(iose). It would be awesome. To make fun of.

"There goes my plans to get you a Pope-headdress for Halloween..."

She obtains herself the thermos of other coffee, the blonde, as though Grace ever had a preference when it came to caffeine. She minds the taste of course, they are all lovely.

"You want a dumpling?" she says, to Pen. Dumplings make things better. Don't they?

Friday, June 3, 2016

Cabalists' Reunion

Kalen Holliday
Kalen could use a friend right now.  And thus, naturally, instead of calling his friends he has come to Washington Park.

There is no scarecrow by the lake.  There is almost never a scarecrow by the lake, but Kalen has yet to give up hope of seeing The Message again.  Washington Park is also where he runs into other friends and fascinating things happen.  It is largely for that first thing that he has spread a wool blanket over the ground at the base of a tree and settled down to stay awhile.  He's sprawled partly on the blanket and partly against the tree.

He's been in and out of Denver and he's running with no few projects simultaneously, so he is sipping at coffee.  However much he loves Washington Park and however much he would like a nap, this is not the place for sleeping.  At least not alone.  There are books in the bad that he brought, but he is not reading through any of them in an attempt to cling to productivity.  Instead, he watches the park through half-closed eyes.  Both he and the park are calm enough for that, at least for the moment.

[And, how distracted by Resonance are we?]

Dice: 7 d10 TN6 (1, 2, 6, 7, 7, 8, 8) ( success x 5 )

Alexander Brandt
[Awareapathy]

Dice: 5 d10 TN6 (1, 2, 2, 2, 4) ( botch x 1 )

Alexander Brandt
[Ugh...]

Alexander Brandt
One thing that an observer might have noticed about Alexander since his ‘release’ was just how much time he was spending outdoors.  He had always been an active person, preferring to be outside than stuck inside, but this was almost being taken to an extreme.  Home was somewhere to store things, to sleep.  He had some plans to change some things – those white walls needed painting, for one thing – but they were things that he was in no rush to get to.

The park calls to him for a similar reason to Kalen.  It’s somewhere peaceful in the city, and it’s a place with memories tied to it.  He comes here looking for the same scarecrow, although not really expecting to find it.  There had been…  maybe not a promise as such, but certainly an acknowledgement that travelling through the Umbra together was something that he and The Message could both get something from.  Alex had no way to get through the Umbra – yet, anyway – and so he returned from time to time to see if The Message had decided that it was time.  Not yet.

There is something he picks up on, though, close to the lake.  There’s a presence close to the tree line, something that makes him tense up.  He doesn’t turn to look, but it’s something he would always remember.  Something Potent, Incisive and Reflective.  He has a light jacket on, which he reaches into to check for something.  He doesn’t close, doesn’t turn to look.  He walks away.

Grace
Kalen, trusting in Fate, just brings another blanket as means to summon friends. If he were anyone else, if Denver wasn't what it is, this might not work. Fortunately for him, he is Kalen and Denver is Denver.

Denver sometimes likes to be a dick, though.

Grace is Grace. Taking straight lines through curving sidewalks, only moving for the trees, because the probably won't move for her.

She's in nature, yes, but distracted by her phone, because this is the kind of relaxation a Mercurial Elite enjoys. Get away from it all, and plug into the all.

Kalen Holliday
Kalen senses Resonance, but it isn't familiar.  Interesting, but unfamiliar.

There was a time when he would have gone to chase down this new Mage.  Evaluate them.  Offer them things.

What does he have to offer now?  Not Ginger.  Not the library.  He himself is hardly in a position to take on a student.  Friends?  He in't sure he's in much of a position for that either.

But then there is Grace, proceeding linearly through the park.  And so, he chases nothing, at least for now.  Instead he waits.  Perhaps Grace will get this new Mage.  Perhaps Grace will come alone.  Regardless, he stays where he is.

Alexander Brandt
[Totally trying again, given the new Resonance!]

Dice: 5 d10 TN6 (7, 7, 8, 8, 9) ( success x 5 )

Alexander Brandt
[I AM NOT SERAFINE!!  But at least we can get them talking now.]

Alexander Brandt
Alex walks around the edge of the lake, getting further from that unseen resonance.  It brings him closer to another, though.  Something familiar, someone who had come to see him out at the motel.  This time, no awkward semi-nakedness to get in the way.  He pats his jacket pocket again, reassuring himself that he has some kind of protection.  Hopefully it won’t be needed, but you never can tell.  He gets closer to her, skipping the niceties as he tells her, “I think I just felt a Technocrat.”  He jerks his head in the direction of the treeline, still not turning to look.

Grace
[Awareness!]

Dice: 5 d10 TN6 (2, 3, 4, 6, 8) ( success x 2 )

Grace
Grace looks up, smiles at Alex, until his serious face and words sink in, and that's no longer the appropriate response. The seriousness in Alex's face gets reflected, then.

"Kalen's here. We should get with him. Strength in numbers," she says, though she doesn't sense anything more than friendlies, herself.

She then sets off, quicker now, more alert now, in the direction she had already been taking.

Alexander Brandt
Grace starts to head off again, but Alex grabs her arm to stop her.  “If it’s who I think it is, he’s powerful.  More powerful than Sera is, or Victoria was.”  Now he starts scanning the treeline, looking for some sign of movement.  His hand goes pack into his jacket and stays there this time, a faint click of something metallic following.

“With you on the safety in numbers, though.”  He walks along side Grace when she sets off again, although does slow down if their route seems to be heading towards that feeling of resonance he picked up on moments before.

Grace
Their route is heading toward Kalen, if that is where Alex is afraid to go. But look, it's him, on a blanket, and Grace is undisturbed.

Well, maybe a little disturbed by the noises coming from behind her.

"Let's try using diplomancy first? If it comes to that. But I'm glad you're prepared."

Kalen Holliday
Kalen looks up to see Grace approaching with the new Mage, who appears not to be new at all.

Different.  Everything is different because of things that happened and Alexander feels different.  Kalen is used to reaching out and breathing in the solidity of Alexander's Resonance, but now Alexander is closer to the kind of infinite possibility that Kalen has always seen.  Closer to what he should be, perhaps.

Grace is with him though.  And Grace wouldn't bring him here if he was angry.  If she knew.  Would she know?

He sets down his coffee, rises from his sprawl, and heads slowly out to meet them.  They are wary of potential Technocrats.  Kalen is wary because abandoning him, one way or another, is basically what people do.

"Hey," he says quietly as he reaches them.  Just that.  And then he studies them, more Alexander than Grace, as he waits.

Alexander Brandt
Let’s try using diplomacy first?

“Right.  Sure.”  Because that’s totally what got him into the whole pile of shit two months ago.  Nothing to do with being shot in the leg with a tranquiliser, nothing to do with blacking out after having his knee destroyed by gunfire.  Either way, he isn’t planning on shooting the floor if circumstances ever repeat themselves.

He still slows as they close with Kalen’s rug, expecting… something.  “Oh, I’m the proverbial boy scout, right?”

It isn’t Kalen that he’s expecting to see.  He doesn’t immediately react to seeing him, instead turning to check the other parts of the park that are visible from where they are.  The bastard must have gone somewhere.  He is still a little paranoid in some ways, but now he knows that the bad guys really are out there.   He finds… nothing.  Nobody.  There’s a deep growl, followed by another faint click and Alex’s hand coming out from his jacket.

“Hey.”  The distraction fades and Kalen’s presence is registered more.  That much is obvious, as Alex closes the distance between them and pulls Kalen into a bear hug.  “I’ve missed you.”

Grace
Grace watches them hug, but more importantly, watches the people, keeps her senses open. And then, takes her phone out again.

"Alex thought he sensed a Technocrat. I'm going to set up some protection," she says, all business and focus.

[Corr 2: Stiffening space against Corr manipulation. Diff 5, -1 = taking time]

Dice: 3 d10 TN4 (1, 2, 4) ( success x 1 )

Kalen Holliday
Infinite possibility is a thing with which Kalen has at least a passing acquaintance.  And he has, on occasion, been accused of unchecked optimism and completely foundless hope.

Hell, he has tried to make peace with vampires and wants to make peace with the Technocracy.  He loves to live in the edges of the world where improbability and reality and faith and hope collide into something transcendent.

And Kalen Holliday, despite all of these things, never considered this possibility for his reunion with Alexander.  He does not, at all, fight with being hugged.  Kalen fighting against hugs is not a common occurrence, particularly from people he is close to.  It takes a second for him to process exactly what this moment is, because he expected something so very different.

"Missed you too."

Grace mentions a potential Technocrat, but Kalen stays where he is.  Grace with get them some kind of protection.  Alexander is there.  And most of what Kalen can do about the Technocracy he could do without stepping away from Alexander anyway.  And, from here, no one is taking Alexander without taking him.  There is, also, that.

"Welcome home," he says softly.

Alexander Brandt
Alexander has changed.  More than the simple (or not so simple) changing of his resonance, he had been given something of a wake-up call over the past couple of months.  Part of that is that he needs other people.  He’d pushed others away before, when things were going badly.  He might return to old ways later, but for now?  For now he doesn’t push, but pulls them closer.  Kiara had been the first, now Kalen.  Others, too, who are close to Alex may well get the same reaction when he meets them.  Other who may be equally surprised.

Welcome home.

“Funny that.  It finally does feel like home.”  He releases Kalen, turning back to scan the park.  “But, yeah.  I felt…”  A pause.  “Someone.”  There’s the flow of Grace’s resonance around them as she does something that Alex can’t, yet, comprehend.  With more experience, a greater connection with reality, he might be able to do something more to help.  His connection had strengthened, but it was something that he was barely beginning to scratch the surface of: that being able to make a change, rather than standing and watching.  But he’s never been one to sit and watch others do all the work.  So he looks around, concentrating on finding that familiar resonance again.

[Per+Awareness, WP because we’re really blood trying to find him]

Dice: 5 d10 TN6 (7, 9, 10, 10, 10) ( success x 6 ) [WP]

Alexander Brandt
[Third eye: well-squeegeed.  Bill Hicks would be pleased.]

Grace
Grace is still hard at Work. She clunks her phone hard across the side, because sometimes you need to do a bit of manual debugging, right? Not everything is going smoothly with this. But if she tries, really hard...

Oblivious to the rest of the world, she continues trying to weave the connections of the world in on themselves so that they cannot be used...

[Extending, with wp, because the code is being dumb]

Dice: 3 d10 TN5 (1, 7, 8) ( success x 3 ) [WP]

Kalen Holliday
Alexander releases Kalen and Kalen takes a half step away.  He stays close.  He has sensed nothing.  There is, even if there are Technocrats present, some chance that there may be no cause to fight.  No need to get aggressive and provoke anyone.  He tries to remember Ms. Grey and that Technocrat from the coffeehouse more than any of his other experiences with them.

Years of coming to the conclusion that more blood is not the way to the world he wants war against a decade of training that his enemies are clear and his responses are equally clear.

Grace is still working, so, for now, he waits.  Alert enough, but not quite concerned enough to be spooked.  His eyes scan over the park

"Once you're ready, Kit," he says quietly.  "I suggest a change of location."

Alexander Brandt
“Dammit.”  It’s a mild curse, quietly spoken.  Maybe the guy had moved on, or used some way to hide himself.

Experience shapes actions, and recent experience has perhaps made Alexander a little less tolerant in some ways.  Blood is, mostly, not the first option unless it can’t be helped.  But there are now certain circumstances where he is more likely to fight before talking.  More than standing between an Apprentice and her potential abductor, this is something more targeted.  Something that comes from fear that it could happen again.  And a very certain attitude that he wouldn’t be caught again.

Alex nods, though, at the suggestion of changing location.  “Being somewhere else seems like a great idea right now.”  He hasn’t completely shifted the idea that he’s still being watched, but there doesn’t seem to be an immediate danger now.

Grace
"Yeah," she says to Kalen. "I was making it harder for them to track us on the way to said location."

She sighs and lets her eyes scan the park again, a little upset at how weak her shield was, but what can you do?

"Let's go."

Go where? That's something she leaves unsaid, because there's more than one way to find out where people are going to go.

Kalen Holliday
Kalen glances between the two of them.  It takes him less than ten seconds to come up with a workable plan and then an alternate plan. He takes the few steps to pick up his coffee and his blanket, then looks back to them and smiles.

"My car?"  Apparently he isn't interested in broadcasting their destination, or potential destinations, either.

Alexander Brandt
“Works for me.”  Alex would normally offer to help Kalen carry something, but he doesn’t want to get his arms tied up with anything right at the moment.  He lets Kalen lead, knowing where the car is currently parked.  “I can drive.”  It seems sensible: he assumes that he’s had the most experience behind a wheel, and the others can do more if they’re not distracted by patty issues like not driving under an 18-wheeler.  Still, there’s no talk of location until they’re safely away from this one.

cricket
(My vote is they all rock up to Kiara's apartment at 10PM without warning.)

Alexander Brandt
[Partay!]

Kalen Holliday
["Hi, Kiara!  Haven't seen you in ages.  Brought my friends and maybe the Technocracy.  Got any whiskey?"]

Sunday, January 3, 2016

Blankets.

Grace
It's December. There's no snow today, but that doesn't mean it's not cold. To the southern desert-creature that Grace is, this state is just wrong. These times, similarly, have been just wrong.

The heat is on. It doesn't matter. Grace is wrapped up in a blanket on one of the couches in the Library with a mug of hot tea, which she stares into with a sad, pensive pierce of the eyes. If she weren't alone, someone might accuse her of being a touch melodramatic. But who cares about such things when you're alone? You could potentially dance down the halls with a cat on your head when you're alone, and nobody would be the wiser (save for the cat, and why would they tell about something so embarrassing?)

Not all of this bundling up is due to the cold, obviously.

Elliott
Spending weeks in Santiago has certainly changed some of Kalen's settings, nudging him even further away from the person that he and the Order constructed and more toward....

That he is not sure of.  He can barely remember who he was before people and events were shaping him into things.  He cannot say if this is closer or further from who he would have been.  Absent Kharisma and Jack, if he had found first some forbidden knowledge could he have simply become Victoria?  He expects so.  Tormented enough, Lucia?  Again, he assumes so.

He does not think that he can just decide who he is again, craft a name and a personality out of nothing.  Personalities are earned things.  You cannot just imitate them into being and have any depth to them.  But he is choosing, so carefully, who he lets influence him.  Marcellus, certainly.  The Order...probably not.  Ramon, yes.  Denver...yes, mostly.

And so he has come home.  He has even brought blankets back from Chile.  Whole piles of them that are sitting neatly folded in wooden crates.  some are probably Christmas gifts.  What he plans to do with all of them is unclear.

Did he spend considerable time curled up with blankets being coaxed to drink wine or coffee in Santiago?  Yes.  It may be one reason he brought back apparently 85% of the blankets available for purchase there.  He sees Grace curled up and staring at her tea and keeps walking for the moment.  Picks out a blanket knitted from orange and white and brown flame yarns.  Fox colors.  Grace can have one of her presents early.

He brings that blanket and one with bright sky blues and occasional golds.  He offers the fox-colored one to Grace.

"Merry Christmas," he says quietly.  He could ask why she is staring at her tea, but he knows he doesn't have to.  If she wants to talk, she'll tell him.

Grace
The presence of an actual person is enough for her to do something else other than stare into tea. Kalen gets a smile as he approaches with another blanket.

Then, a brighter one as he offers one to her as a Christmas gift. Fox colors. She puts down her tea on a table and reaches out to smell it first, holding an end of it up to her face to judge all its qualities.

"Oh, it's so warm. I love it, thanks."

The blanket gets added to her nest, she tucks it in here and there to eventually look like a human head and hands poking out of a mound of fibercrafts. It's a comfy place to be.

"You got one for Alex too, I bet?"

Elliott
"I think Alexander just sleeps in snowdrifts or something," Elliott says.  "But yes.  I got him a blanket he can scoff at."  He curls up on the couch with his blanket.  He seems less like he has any real desire for it than Grace, but he also seems content to have blanket and couch time.

It has never been difficult to convince him that blankets are the best and he should have them right now.

"It looks like I'm only back in town a couple weeks.  And then I have to go to Hawai'i.  Business.  But...sometime in January.  Australia.  Pick it out.  Buy the tickets.  Make the reservations.  You know where there are credit cards you can use if you need them.  I have not, yet, spent all of the money on Christmas."  Yet.

Grace
"Really?" another bright smile. "We can go to a place where it is summer? I will buy those tickets and march you onto that plane, man..."

She lays her head back on the couch, looks at the ceiling. "I mean, I need a vacation, I think."

"Alex. You should probably give him his blanket early too. I kind of fucked up. He doesn't think anybody cares about him anymore."

So, there's that. And Samir's in quiet. And Elijah or William or whatever it is he's calling himself nowadays got attacked too, don't forget. Then there was that thing with Mike which... Well, as much as everyone left is still alive, it still kind of sucks. The important people in her life are all going through something.

Elliott
"Alexander...I know how he can react to things sometimes.  Don't think it's something you did.  Even I barely get to know him in some senses, and I know how much I mean to him.  He's not always someone who is easy to be close to, particularly, I have always assumed, when he most needs it.  I'll get him his blanket.  And some marshmallows.  Is there anything I should know?"

"You know Kiara told me I should be proud of you?"  Elliott smiles a little.  "Which I always am.  Now especially, though.  I told her that, but it seems ridiculous not to also tell you that.

"I know I bounce around and check in less, but because I trust you.  And you know I will come back if you call me.  Always.  Unless I have to stop the end of the world, like sometimes happens.  But that, I think, you understand."

Grace
Is there anything I should know?

"Well, apparently he's spent the last month and a half or so isolating himself from everybody, destroyed his phone, and lived like he was under Technocratic surveillance. He wasn't. It was Ihsan coming and talking to him about the murder he posted about on Ginger. I could have prevented that by telling him about Ihsan. Ihsan could have prevented that by telling him anything."

He could have prevented that by not taking 'lo, I have been contacted by Technocrats' as a reason to hide from everyone else and enforce a zero-contact policy, but then... Kalen is right. When he most needs someone, he flees from them, apparently.

"You should be proud of Kiara. She actually faced down the Nephandus. I just set everything up," Grace says, curls around in her blanket-mound.

Kalen continues being Kalen, offering her his pride, his trust. It's nice. "You're only going to be in town for two weeks?"

Elliott
"That sounds like Alexander.  He did once stop speaking to me for weeks because my Resonance changed and he thought I was an imposter, you may recall.  But I will get him a new phone to put Ginger on, unless you've already taken care of that.  If nothing else, I have his business card with his work contact information.  I can get in touch."  He smiles a little.  "I can get him like a dozen, because he loves to destroy phones."

Elliott considers the update on Kiara a moment.  "She did not mention.  I don't think she wants to talk about it.  I'm not sure if she needs to, but even if she does...I expect I am probably not the person she'd choose to do so with.  Still, I will keep it in mind in Hawai'i."  There is a soft exhalation.  "Anything you think I should know before that?  Specific things I should know will be difficult for her, or anything."

"And yes.  We have to go retrieve a magic stone for a mythic artifact.  It involves scuba diving.  Fortunately, I can do that now.  I am hoping it will be a quick trip.  We have a location.  We just need to get the stone and come home, but I expect there will be some kind of complications.  I could be wrong.  But.  Honestly.  What would you expect?"

Grace
What does she think he should know? What would be difficult for her? "I don't know. Nephandi? Nephandi are difficult. Pretty much sums that up."

Kiara didn't really go into much detail when she told Grace. Doesn't know all the ins and outs. That's okay, she doesn't need to know.

Tea. It's getting cold over there. It doesn't have two blankets. She grabs for it, and settles back in.

"I wouldn't have the first clue what to expect in Hawaii. Friendly mer-whales? Probably more like unfriendly Cthulhu-beasts, honestly," she says, and rolls her eyes at the world for being horrible. "Mutated mahi-mahi, something like that?"

She sips at her tea for a moment, and then: "Magic stone for a mythic artifact? In the oceans around Hawaii? If I didn't know any better, I'd say that was just an excuse to get some more beach-time in."

Elliott
"Well, I more meant what would you expect but complications."  Elliott smiles.

"I've never even been to a beach.  All my diving has been pools and lakes.  One day I may do one of the dives at the aquarium here."  All of the things he has done.  All of the things he has seen.  But never the ocean.

"Sasha is interested in this war not happening with the Technocracy.  Henry too.  They are going to try calling the Order off.  I haven't told them, at least not yet, about Atreyu.  I...don't know so well how they will take that.  I don't want to...I would just worry.  Mostly for Atreyu."

Grace
"Mmm. Yeah. Even Sam was a bit put off by my description of Atreyu, and he's a Mercurial Elite. He knows what we do. I mean, you and I might be the only ones who'd really... know him."

Him, her, whatever.

"It still amazes me that the guy was never born. Reminds me of some ancient deity legend, you know? Sprung fully-formed from his mother's head?"

Metaphors. Words to say things that you can't easily express. Gods and legends of the present...

"So, you're telling other people, huh? Is that why we're vacationing in Australia?"

Thursday, December 3, 2015

Retro: About Love.



Grace



It's Wednesday night when Grace calls Kalen up while he's on vacation, and may want to stay vacationing and not worrying about what's going on back home. Well, he can deal with it. It's late in Denver, but Chile's four hours behind, so as long as he's not suffering the extreme jet lag anymore, he should be awake.

Grace can't sleep. It's been one of those nights.

When he picks up, the first sound he'll be greeted with is a slurp. Grace is attempting to use his own tactic of hot tea to relax, although she is not ceremonial about it. If a little tea is good, surely a lot of tea is better, right? She's not meditating on the essence of tea, she's just hoping the heat and phytochemicals do their work for her.

"Hey. Can't sleep. Is now a good time to talk?"



----------
Kalen



Quite some distance away Kalen glances at his phone and then back to the man sitting on the couch with him. He mouths the word Grace, despite the fact that he has not yet picked up the phone.

Ramon nods. Kalen curls up into the corner of the couch and taps the phone. "Hey," he says. "Of course, Kit. Anytime." And he means that, for all that what little time he gets with Ramon is precious to him. And Ramon is still there, squeezing Kalen's shoulder as he steps off for a minute.

"What's going on?"



----------
Grace


"Well. Things," she says, cryptically. "Have you checked your messages lately?" she asks. She means to ask, in a secretive way, whether he has read the message she posted to Ginger yet. The one about Farrah Esmail.


She doesn't remember the woman very well. She was River's friend, but beyond that, there was no long conversation or budding friendship between her and Grace. Still. It's disturbing. All of it is disturbing. All of the murders, all those lives, gone just to wear Michael down in his fight. Like The Artist doesn't want him to have anything left to live for.


"I didn't exactly tell everybody everything." There's a pause on the other line, the noise of a slurp again. "'Cause, you know, privacy and all."


She'll wait to hear from him whether he knows the basics.



----------
Kalen

"Yes," Kalen says quietly. "I've checked my messages. I saw." There is something in his tone, the way that the steadiness in his tone is just a little too uniform, that indicates he must have met Farrah.

There is a slight pause, a murmur in Spanish to Ramon as he offers Kalen a glass of wine and then settles onto the couch again. Close at hand.

"I am starting to think it was a mistake to leave. There is more to this?" Ramon does not seem to respond, to offer any reassurances. But then, Kalen is speaking in English.




----------
Grace


"Well, yeah," she says, and there's another pause, like she's drumming up the courage to say the thing. "I haven't told anybody yet, because it's nobody's business. But uh. Hmm. I guess it really started when I told Michael I wasn't going to follow his orders to stay out of his investigation. He stood up and swore an oath of protection on me, and we just... Started," she says.


We just started.



"I've been deeply involved in the hunt for this... creature. And then, I became deeply involved with Mike. Like... I think I'm falling in love with him involved."


And then, she waits out the inevitable pause while Kalen stops to digest that. Of all the things he expected Grace to do, that was probably far down on the list. She knows that.


Kalen's about the only person she feels comfortable with coming out and saying this to, but even then, it's pretty damn uncomfortable. It's so sad, the way she talks about loving this man. Despite the joy involved, there's just so much else. Fear for him. Upset for him. He's had to clean up the body of his former pupil tonight. It hurts when someone you love is hurting, even if it's a shadow of their pain.



----------
Kalen


And they just started.


Kalen takes a breath and then a sip of wine. Listens until Grace pauses. Overly surprised...perhaps not. And this is Kalen, to whom love is often a complex, messy, edged and weighted thing; and yet, to whom, love is always indescribably beautiful. Even with a Catholic priest. Even when he knows that he will not be loved the way that he loves. And even, though he does not speak about it to Grace, even, sometimes, with a vampire.


Grace is in love with a man who is, at least at present, compromised by a Nephandus. Perhaps they will be able to pull back those tendrils and extricate his soul and his fate from that of the Fallen creature that would claim him. Perhaps there will be no salvation that is not death. Perhaps there will be only death. Or even some darker fate.


Grace will have assessed the situation. She will not need him to tell her all of the ways that this might end. That might have been what he would have done when they met, when Kalen was still so much more what the Order demanded than what he wanted to be. But now....


"The first thing, is congratulations. I am so very glad that you found someone you can share yourself with in such a fashion. I know that you may not be certain how long you have, and with good reason, but however long we have it never seems to be long enough."


Kalen raises the wineglass in his hand to his lips, but barely does more than taste the wine. "The second thing is that, however this, whatever may happen, you are not alone. If we save him from this thing, if we can't, if he stays when it's over or he leaves, whatever that may force him to do...you do not, ever, have to be alone.


"And, third, whatever monstrous things that he may be forced to do or to become, I understand what it means to love someone that most of our friends in Denver would consider a monster. I know what is like to see both the true spirit of a person and the curse entwined with it. Even if we must hunt him in the end, even it goes horribly wrong, I understand.


"You will never have been wrong to love him. However it ends. Love is only grace."



----------
Grace



There is a reason why Grace called him. He always knows the right thing to say. And he knows her well enough to get at the heart of the issue.

There are times when Grace doesn't trust herself when it comes to being human. Many things other people do are unfathomable to her, and always have been. She's had to learn the behaviors that come naturally to most. Even before she Awakened she always had this sense of being alien. So what does it say about her that the first, and perhaps only, person who she could see herself in a relationship with is a serial killer?

It's not his fault. It is The Artist, she thinks. And perhaps if she didn't love him, she wouldn't be so inclined to view him as innocent. She knows her own biases.

Kalen says though, that it was never wrong to love him. And she holds her breath because she really doesn't want to cry.

"Thanks," she says, after a long pause, followed by that slurping sound.

"I know I'm not alone. I am so lucky there. I just never thought this would happen, and now it is. And yeah..."

Yeah. Couldn't pile more meaning into that solitary word, could she?

"What if I can't do what I need to do when it comes to him? Worse, what if I can?"

She can see herself coldly taking Mike out, in her more morbid ruminations. If The Artist took him over, if he attacked her. What would she do? A part of her already knows. It would depend on the circumstances, on whether hurting him would lead to greater or lesser success, and not much else. Why? Why so calculating?

"I don't know how you handle it, being in relationships with people. I can barely handle the one."


----------
Kalen



Kalen draws in a breath when Grace not only asks what if she cannot do what she must, but what if she can. And Grace cannot see his expression, nor can she see Ramon reach out to rest a hand on his shoulder.

"You will do what you must. You are too strong not to." There is a pause, because Grace is not the only one in this conversation trying not to cry. "It is, in some horrific irony, easier to do for love. When you look at someone and see only a corrupted mockery of what they were, when you know death is the last gift you can offer...you won't care what it costs you.

"You will do it. You won't even see a choice. That moment...that moment will not be as hard as you think."

The moments after.... Grace saw Kalen after all the horrors of that zombie mindscape. Certainly, killing a boy before he turned was not the only thing that weighed on him.

Perhaps he dreads what he might one day do to Wesley. For Wesley. If he thinks of that, if he recalls the few days where he thought that he might have to do that before they connected those dead women to something else, he does not say.

But then, how could he? Really? Grace might forgive him that. But what would become of her if it were found out? Kalen has no illusions about what that might cost him. What it might cost anyone who knows about it.

"I lived alone for a very long time," Kalen says quietly. "I realized, in the end, that however difficult and painful love can be it is always worth it. Love is...it is all the light I have ever found in this world.

"And perhaps its only hope of redemption or peace."



----------
Grace



It's easier to do for love. When you know death is the last gift you can offer, you won't care what it costs you. Damnit, Kalen, this cup of tea isn't enough to hold all of these feelings, is it? She sips at it again, like it might, if she tries.

"I will. Do what I must, I think. If it becomes necessary. Kiara thinks she can help, though. And it's a good thing too, because I don't think we can take on the Artist without him. He's... powerful. Both of them are."

Again, she's speaking in strategic terms. He might be saved, yet. Which is good. They need him to fight. What's wrong with her?

"Also, it's a good thing, because I love him. And I don't want to see him tortured anymore."

Yes. There is also that. Drop the strategy for a few moments and drink tea and try to remember your own humanity, Grace.

"It hurts when he's hurting. And I want to fix everything, but I can't," she says, chuffs a little dark laugh into her tea. "I guess I'm doing the same thing to you right now, huh?"



----------
Kalen

"I am sorry I am not there to help you. Kiara...she seems wonderful. I trust her. I'm not sure she knows that. Or that I trust a lot less of Denver than I used to."

Kalen takes a sip of wine. "Even if this cost me something that was difficult for me to give you, which it doesn't, I wouldn't be sorry. So you definitely shouldn't be."

Grace has seen a few versions of Kalen Holliday. She has seen him after injuries robbed him of the easy physicality that had once been a huge part of how he dealt with the world. She has seen him adapt and refocus his attention, shifting from the Order and war to the various Magi of Denver and their protection and education. Grace has watched him learn to trust, and learn not to trust, and learn to trust again. And in all of those versions of Kalen Holliday there were certainly glimpses of this one. Pressed aside, pressed to the edges of his consciousness and awareness so that he could try to become whatever he thought he needed to be. And now....

Now he is not pushing aside experience or memory. Not for his friends, not for his lovers, not for the Order. Grace is getting to watch him approach transcending boundaries - his boundaries, the Order's boundaries, the Traditions' boundaries. And perhaps, like Icarus, he will fly too close to the sun and he will plummet back to the earth.

Bones shattered. Dreams shattered. Blood-soaked feathers.

He seems now, not to fear that. Not anymore. And the loss of that fear seems, in so many ways, to have freed him to be more like the person he was, before, only in precious fragments of seconds. Little slices of eternity.

Whatever this might have cost him once, whatever losing Farrah might have cost him once, it seems to cost nothing so terrible now.




----------
Grace


Grace has seen a few versions of Kalen Holliday. Somehow, she doesn't quite see the difference between them. Nothing reminds her of this conversation more than the time he wrapped a blanket around her shoulders (in lieu of a hug that he knew would be terrible) and sat with her, soothing her blood-scarred mind. He is, to her, as he has always been: someone who gives a shit. That has been the core about which all the rest of him shifts.


The day he lets her know something is troubling him, now that will be a change. And on that day, she will tell him that she already knew, like, months ago. And it'll all be fine.


"Kiara's good. I trust her too. What she does doesn't make any freaking sense, but it works," she says, her voice trying to return to something more stable. Perhaps now that she's gone and shown him her vulnerable spots, it's time to cover over them again.


"I trust you, too. I mean, you've always been there for me, and I can't... Well, you know. Thanks. I'm not sorry I called you. This is what you do, is listen to me go on."


It's probably one of those things that needn't be said to be understood, like Kalen's endless doubts about people, or his fears for the future (that Grace knows plenty about without him having spoken the words). It's obvious she trusts him, right? He's the one who gets late-night phone calls about... Well... About that.

Sunday, October 11, 2015

You've gained our trust. Deal with it.

River
There is a taquería in Federal that smells like smoked meat and limes when someone opens the door and walks out of it.

River doesn't know what's good here. Hasn't figured out what is worth eating and what is worth not eating, but she just got off work and she wants food. they had a lunch client come in. Had  tall men in slick suits yammer on about fortunes and their most recent investments. What buil;ding they were going to buy next. River hadn't cared, but she had listened just long enough to one of them that his name stuck to the back of her mind. Jeffrey Ulrich. She remembered it, because something about the man unsettled her. It wasn't something, you see, if was a stain on the place where his cufflink met his suit. She'd think about that stain later.

But not right now. Because, right now, River Vasquez was hungry, and following the intermittent smell of food as the door to the restaurant opens and closes. She doesn't trust a taco place that doesn't have signs tht are also written in spanish, call it a little food racism on her part but we digress. She's carrying a purse the size of California, and her heels click together in the bag. She's got on a pair of flip flops and some yoga pants. Her toes are painted pink with some gold sparkling accent.

She's got gold on her collarbone. Gold in her hair, the top she's wearing is large and white and sits largely off the shoulders. River had sucked it up and put a bra on after work, too. The bra is pink, the straps cross in the back. Her hair is thrown up in a ponytail and she approaches the taquería with trepidation. What if it's bad? What if she's *gasp* disappointed and has to get food somewhere else?

Questions, questions.

Elliott Chandler
[How distracted are we by Resonance today?]

Dice: 7 d10 TN6 (3, 8, 9, 10, 10, 10, 10) ( success x 6 )

Elliott Chandler
Sometimes, the best things we can do for ourselves is to slip out of the lives and expectations and barriers we have so carefully crafted.  Sometimes we shed our skins to find love and hope and everything we have struggled for all along.  Some things you cannot claim with desire or intent or even blood.

And so, in some ways, River does not encounter Kalen Michael Holliday.  That is, after all, as much title and vow as it is an identity.

He might be about to shed that Name.  That title.  That vow.

Today, he is wearing a vintage corduroy coat in a rich brown over blue jeans and a cream long-sleeved tee-shirt with a steampunk lion on it.  He is not wearing the customary weight of the Order and duty.  That, after all, is not what this Elliott is for.  He is, instead, reading a book about spirit photography and half-ignoring a plate of chicken tacos with a mole sauce and extra red bell peppers.  There is also a mango margarita, which he is ignoring less than the tacos but more than his book.

His eyes, so pale as to render their color indistinguishable at a distance, rise upward from the pages of his book to regard River when she comes in.  There is no increase in tension.  No hostility.  There is also, at least not yet, any sign of friendliness.  Instead, for the first few seconds, there is only curiosity.

River
[ DO I notice anything?]

Dice: 5 d10 TN6 (1, 2, 5, 6, 10) ( success x 2 )

River
What walks through that door is springtime. Something warm and glowing, something radiant like the sun's first rays, something insistent like the sun  that would always rise. Would always come along until it burned out of the sky. The sun does as the sun will- it is dependable that way; springtime is only capricious to those who are short-sighted.

She walks in, not too tall but not too short, with her giant pink purse which she adjusts a little uncomfortably as she takes in the number of people in the room and the general aura of the place. It doesn't send her turning around though, sunshine creature that she is. And while she is making her rounds around the room, taking her walk up to place her order and hope for the best, her attentions fall twice on a table.

She doesn't know Elliott. Has never met Elliott but what she can tell of the man is that his eyes are pale. That he's reading a book, and her eyes drop to it- most decidedly dark at the distance- before looking back up. No hostility from his direction, but not friendliness either. More like she is being regarded by a cat on a porch.

River concludes that she rather likes cats on porches, and she smiles at him.  Opens her mouth to say something but loses her nerve immediately and goes back to ordering food.

Lengua tacos. Lime and chilles. Standard margarita on the rocks. She has a thing for green today, and she's fishing out her ID to actually confirm that she's old enough to buy alcohol.

River is covered in freaking glitter, there is doubt.

Elliott Chandler
He waits, still except for his eyes which continue to track River as she navigates the process of ordering tacos and a margarita.

Perhaps he is judging her.  Maybe the glitter.  Maybe the oversized purse.  Maybe the strangeness of preferring tacos with more lime flavor and less chocolate flavor.  Maybe that she would have spoken, but then withdrew.

Or perhaps he is only waiting.

Once River has navigated her way through ordering tacos and must instead navigate her way through choosing a table he nudges the chair opposite him out a little.  Like an invitation.

River
She does turn around, finds herself faced with the arduous task of figuring out where to eat, determining whether or not she's going to eat alone and movement catches her attention. She's passing by and the man she had been looking at- who felt different but she certainly wasn't going to say anything about it just yet- nudged a chair out from across from him. River slides into the chair like she was intended to be there in the first place. Like this dance of being sociable with strangers wasn't difficult in the slightest.

She puts her purse on the ground and he can hear the sound of plastic on plastic clicking together, like River had discarded a pair of incredibly high heels in favor of flip flops. She carries a big purse for a reason. Probably has a couple books in there, too. Books, her shoes, some lip gloss, a cell phone (and another cell phone).  She crosses her legs at the ankle. And perhaps he was, or is, judging her.

River smiles at him anyway.

"I'm River," she offers. It's not true, she's more sunshine than water (though she has been water. Been ice and snow. She's been a subtle, yearning harvest punctuated with the decay of overripe fruits. And back again when she was all sunshine and unchecked, terrifying growth. River is not the people she has been in the past, just a new iteration of a cycle.)

She's not from here, though. Or, at the very least, she has not spent the majority of her life around people who speak English. River Vasquez might have been born in the United States but the world she's seen is much, much different than the one most people think of.

Elliott Chandler
Elliott likes Spanish.  He likes the cadence and the sound.  He likes the people he has been when he has spoken mostly Spanish.  He loves the way Neruda sounds in Spanish in voicemail messages he has saved against his better judgement.

And so, without much thought when he catches the sound and the flow of River's voice he switches to Spanish.  Reaches across the table to offer one hand to River and smiles a little.  "Elliott."  His head tilts a little.  Curious still, more than, strictly speaking, overly friendly.  "Have you been in Denver long?"  It isn't that she doesn't seem like she is from Denver that prompts that question so much as that he seems to trip over new Magi within a few weeks of their arrival.  Or, at least, someone does.

River he has neither seen nor heard of.

River
She takes his hand and gives it a shake. Doesn't linger, but her hands are warm. Her nails are short, but well-manicured. She is not reserved with her smiles, does not seem as though she has qualms about giving them to others, does not make a person work for them. Instead, they just come, like a joy she shares with others for the sake of being shared.

"Elliott," she repeats. Commits to memory.

Has she been in Denver for long? She shakes her head, retrieves her hand and knits her fingers together in front of her at the table. She is comfortable with her space, and comfortable with the space they are sharing. He is in his space, she is in hers, and he's not making any overtures like he wants to invade her space.

She puts up a hand and shakes her head. The switch to Spanish is one that is entirely natural, and completely comfortable.

"I think I've been here... two weeks? Almost? I'm still trying to figure out which restaurants are good, so here's to adventure?"

Elliott Chandler
"There are no few good restaurants in Denver.  This one is a good choice.  There is a particularly lovely champagne bar.

"I can't really help you without knowing more about you."  In more ways than restaurant recommendations, really.  He doesn't say that.  Not yet.  Interrogations are...well.  What they are.  It is harder to maintain an illusion for any length of time than to respond correctly to a direct series of questions.

He has, already once in Denver, based his judgments more on the way someone has touched him while they are dancing and the way that-

His expression softens a little, warms a little, and it is not so much for River as for the things she reminds him of.

River
"Well," she starts, knows where the burden or proof lies and knows that this is a very careful sort of dance. Give away too much and you've painted yourself with a target. Give away too little and you're on the outside. Somebody else always handled these kinds of introductions. She thinks back to getting stood up for coffee and taking the time to read about mountains instead.

"I am a dancer," she's covered in glitter, she's pretty, and she has obscenely tall heels in her purse. Elliott can likely put two and two together. "I don't like coffee... I have very delicate work that pays in good karma?-" she thinks about where else to go from there "-my best friend is a bioengineering doctoral candidate? I think that is what she is studying now?" She gets lost, that much comes across in her voice clearly enough, "I like weeds because I think they are tenacious and I like snow because it's pretty."

A beat.

"I've never actually seen snow, though."

Elliott Chandler
Elliott laughs.  And this is still, even now, evaluating River, very much Elliott.  In no small part because he is evaluating a potential new friend instead of a potential new threat.  Same general process.  Different general frame of reference.

"Don't worry.  You will.  Possibly more than you care to."  The corners of his mouth twitch a little.  Amused.  "I am, originally, from a much warmer climate.  I can help you supply for the winter, but I will warn you that there is nothing that will prepare you for it."  There is a breath that is almost a laugh.  "Or the delight with which some people embrace it.  Which is charming, but...I wonder sometimes about their survival instincts.

"I have managed, in the few years I have been here, figured out optimal places for walking in winter so as to both see snow and never be more than two blocks from hot chocolate."

River
"I've always wanted to have a reason to like hot chocolate? I moved here from San Diego.... seventy six degrees is too warm for hot chocolate, but even then it is still pretty good?" What was there that could be bad, River? It is chocolate. It is drinkable, warm chocolate. Then again, snow (theoretically) made for a good excuse to get it, and then had yet another selling point: fire places.

Her imagination wanders. It's clear that her imagination wanders while she's wearing this quiet oooooh expression, tunes back in to look at Elliott like he is one of those guys who runs a TV travel show and knows the ins and outs of Places With Snow.

"I think the only down side is that snow necessitates wearing shoes," her nose scrunches up. Eventually her margerita comes and she picks it up with both hands, "I don't really like wearing shoes. I like buying shoes, but I do not like wearing shoes."

Then, she looks at Elliott, eyes wide like she had just realized something.

"I have to buy a coat. Where do you buy coats here?"

Elliott Chandler
"That depends on what manner of coat you like."  His eyes sweep over River again, evaluating.  Glitter.  The oversize pink purse.  The shoes hidden from his view that he noted earlier.  "I think I may know someone who can help you find something more like your style.  But, if style isn't an issue there are a number of places to get very warm coats with slightly more pockets and slightly more durability than might match your current outfit."

He smiles a little.  "If you plan to stay, you may want a coat like that.  And some of those fascinating snow boots that are more like hiking boots than clompy moon shoes.  I've found them useful, at least on occasion.  When running and having things at hand becomes suddenly relevant.  I expect you are familiar with the phenomenon."  He expects.  Of course he does.

Steel
Some come here for the food.  Others for the alcohol.  Others still for the company.  It may not be one of those places where everyone knows your name, but the attraction of decent food and booze and drag people in, and they drag their friends.

Steel is not one of those people.  There’s a flurry of movement as she pushes through the door, swinging it closed quickly behind her.  There’s barely a glance over the room before she notices the restroom doors at the back and makes a move towards them.  She spares a glance back to the main door before ducking into the men's room.

River
"I need something that will survive the occasional impromptu five K race. When I am actually wearing clothes I like to have pockets. I've dreamed horror stories of winter and finding yourself suddenly without the things you need on hand- my choice in purses is not just for carrying around a costume change," but it did carry around a costume change. If one could consider gold hot pants and a bra that counts as a formality only as a costume change. We digress.

"I think we're staying here, though," she tells him, smiles anyway because... well, Elliot smiled and she liked his smile. Looked at his eyes for a moment to try and pick out what color they were. River never shyed away from eye contact. The word, you see, is comfortable. She's comfortablewith it.  "And I need to get a new-" she gestures, has a little finger gun for a second and gestures to her bustline. Looks a little confused like she's completely missing the word. She knows the word. Knows the word in nine languages and all of them are failing her, "thing? That holds the thing?"

She needs a new shoulder holster, because where the holy Hell was River going to put a hand gun? She waves away.

"That can wait, though. If you don't know a place, I understand. I still haven't even found a range yet."

Elliott Chandler
Steel enters.  Steel vanishes into the Men's room.  Elliott's attention remains on River.

Thing that holds the thing.  It takes him a second, but then he smiles.  "Oh.  That I can help you with.  My tailor is even, by now, accustomed to my demands that coats both fit appropriately and fall so as to conceal the thing that holds the thing and the thing that the thing that holds the thing holds."  He is, undeniably, playing now.  No sense of malice in it, only amusement.

"I use a private range though, so I'm little help on that score.  At least for now.  I may be able to bring you along sometime, once I've gotten a chance to know you a little better."

Steel
Another figure appears at the door, although this one doesn’t come all the way in.  This one, a broad male with a shaved head, a scar from some sort of sharp sound crossing the bony part above and below his right eye, and currently no sense of humour.  And he seems to be searching for something.  Or, given the entrance a few moments ago, someone.  His glance runs across the room and, like the previous figure to enter, catches sight of the restrooms at the back.  He strides through and disappears for a moment, checking inside the ladies’ room.  He doesn’t stay long, doesn’t order, doesn’t stop to meet and greet.  He leaves as quickly as he arrives.

Farrah
Which means he crosses paths with Farrah. A young woman of average height with a head of springy curls and a face full of freckles who throws some serious shade at him as she avoids jostling him in the doorway.

Then she walks in in time to hear --gotten a chance to get to know you a little better.

Then she saunters up behind River and puts her hands over her eyes.

"OooOOOoooh," she says.

River
[Int+streetwise- hey big fella, where do YOU belong?]

Dice: 6 d10 TN6 (3, 3, 4, 4, 6, 7) ( success x 2 )

River
She laughs, cheeks pink and her hand covers her mouth, as though she is accustomed to not making a lot of noise and failing because she has a laugh that covers distances. She doesn't sound like bells, she sounds like a living, breathing person who is amused by things.

"The thing that holds the thing that holds the thing is especially important. True facts," she says with a sage nod, as though she was an authority on things that hold things and those things that are held. "And that's fine, don't worry? Maybe we should just focus on things like book signings and hot chocolate before, you know, escalating a potential friendship to shooting things."

She looks at the guy who came in, distracted and then there's hands over her eyes and she puts her own hands on top of those hands. She doesn't get enough to make sense of the guy who came in, but she laughs and English comes easily enough.

"Eh! I'm blind! It's all over!"

And then she said something in Arabic that actually equated out to half-formed gibberish in another language, but largely. OhmygawdI'llneverseeeeeeeyouagain!

Elliott Chandler
"Oh, you shouldn't plan to wait.  Pretty much anytime I leave my house I think there's something like a ten percent chance it escalates in some way or another.  Though, admittedly, I don't think I've shot anything in awhile."  Anything, he says.  Not anyone.  In a tone that indicates no real concern for the possibility of this encounter escalating into a shooting match.

That would be an adventure.  Particularly since he is not armed.  Not with a gun, anyway.

Is he terribly concerned about Farrah hearing that?  Apparently not.  There is a moment when she reaches for River that his eyes narrow and there is a trace more tension evident in his posture.  And then that is clearly not a threat and so he settles back, picks up his margarita, and watches this situation escalate into excited gibberish.

Steel
[Also, because I keep forgetting and I'l do it now before I forget again... Nightmares.]

Dice: 6 d10 TN6 (1, 2, 2, 3, 9, 9) ( success x 2 )

Farrah
Once River has devolved into Arabic Farrah plants her hands on the other young woman's shoulders and leans around her to get a good look at her friend's new friend. The one who has a private range and hasn't shot anything in a while.

"Oh, shit, did I walk into a swipe right?" she asks. Turns to look at River's profile. "Just leave your scrunchy on the door knob. I'll just sleep in the library. Again."

Steel
There’s another little movement from the back of the joint, a cracking open of the door to the men’s room.  A moment or three pass before the door swings further open and a figure emerges.  Details of how she look are vague, almost as if she slips out of mind as soon as she’s out of sight.  It’s a figure, probably female, dressed in a battered leather jacket with a hoodie on underneath.  The hood, unsurprisingly, is currently pulled up.  Some black jeans and some well-worn DMs complete the parts of the figure that are more likely to linger in memory.

She moves to the counter to order something small and cheap, accompanied by a glass of water.  Honestly, she isn’t all that hungry.  But sitting down in a food joint without something to eat or drink tends not to go down too well with the owners.  A man’s wallet is unearthed from one of the jacket pockets and the contents searched for something to pay with.  One tray, topped with a plate of tamales and the glass of water, is carried away from the counter.  For the first time, she really pays attention to the tables and those sat at them.

Steel
[Awareness, now we're not running away from someone?]

Dice: 5 d10 TN6 (1, 2, 3, 7, 10) ( success x 2 )

River
River could say all sorts of witty things when she had her mind to it. Really. She could be clever and charming and she laughs easily and Farrah asks, as Farrah does in her Farrah way, if this is a swipe-right situation and her cheeks turn pink and her ears turn pink and eyes go wide and she looks sidelong at her frienbd and she stammers out in English-

"I, uh-" a look at Elliott, who has very pretty eyes, back to Farrah again "-no?"

Gawd, River, don't make it sound like a question. She clears her throat and takes a look around. Misses Steel again but she does look back tot he door. Federal's a freaking turf war waiting to happen. Takes a drink of margerita.

"Elliott, this is Farrah- my best friend?" who has clearly managed to render her speechless in the way only friends know how, "Farrah, this is Elliott? Who was telling me about coats. And things with things."

Elliott Chandler
It takes him a minute to put together what a swipe-right situation is, because dating apps are just not something he has ever bothered with.  Perhaps Grace can make a dating app for Mages.  Until then, normal dating apps probably won't help him.

Besides.  He has scored dates on the merits of his eyes alone.  Perfect, complicated, dangerous dates.  What is a dating app going to do to top that?

He tries not too look too amused by River's response to being tormented or the way about half her statements turned into questions.  Instead, he waves at Farrah.

"Hi, Farrah."

Steel continues to evade his notice.

Farrah
So they're waving. That's cool. Farrah waves her right hand just inside of River's peripheral vision so it's a distraction without being an actual thing that's happening and then steps out from behind her to offer her hand to shake.

"Yo," she says. Whether Elliott shakes her hand or not she points at him after that greeting. "I want her home by midnight. She has school in the morning."

[perc + aware: oh right i never did this]

Dice: 4 d10 TN6 (5, 7, 8, 9) ( success x 3 )

Steel
[Per+Alert, are any of these people paying any attention to me? Ability spec: Alertness]

Dice: 5 d10 TN5 (2, 5, 6, 6, 7) ( success x 4 )

Farrah
[NOW THEY ARE.}

River
[Do I notice people? -3 because Arcane]

Dice: 2 d10 TN6 (6, 10) ( success x 2 )

Steel
Steel’s gaze is a little more thorough that might have first been expected.  It was, indeed, more than simply looking for an empty table to sit at.  This was slower, looking for people paying attention to her.  Normally, people’s gaze washes over her and onto something much more interesting.  Which, as far as she can tell, seems to be what’s happening at the moment.  Oh, that table over there seems to be colonised by Awakened.  But none of them are people, or resonances, that she recognises.  Others might have wandered over and said hello.  But that’s other people.

Steel weaves around chairs and settles onto a table by the wall, one with an easy path to the door.  The chair has a good view of the door, just in case the guy from earlier reappears, but she doesn’t pay too much attention to anyone else right this minute.  Steel picks at the food on the table, moving it around and breaking it apart more than actually eating it.

River
River, in all actuality, can not remember the last date that she went on. Coffee with the Akashic didn't count, he never showed up. She ended up reading a book about the Himalayas the whole time and drinking vanilla chai lattes until her blood sugar was through the roof and she didn't so much sit still so much as quietly vibrated while she checked out and pretended that the fact that he didn't show bothered her. At least it wasn't dinner.

No, the last date that River went on was with another dancer who happened to have the same night off as she did. They went to the beach and took pictures of each other in the surf. Sat apart so that their fingertips just barely touched while the waves rode in. Didn't kiss until the third date anyway, ended up with things breaking off when River couldn't explain where she would run off to some nights without an explanation. Thought she was cheating, wouldn't have believed River's explanation even if she told her. We digress. Dating sleepers is complicated.

"So, the guy that just came in and wandered out runs on the north side of West seventy-second. This part of town is a little unsteady right now?" It's not a question, though. It may sound like a question but the look in her eyes and the certainty in her gesture says that she knows what she's talking about, or that she, at the very least, was paying attention, "so, uh... just FYI."

Nope, her ears were totally not burning and she had not finished being a shade of incredibly vibrant pink. "Maybe we could trade phone numbers and set something up that doesn't immediately begin with needing to run away from impending danger? I could run the numbers and see if we can avoid that ten percent you were talking about."

Elliott Chandler
Elliott reaches out and shakes Farrah's hand.  "Is that so?"

You can practically see Elliott draw a conclusion about how River would run those numbers.  And it is followed by a quick smile.  He retrieves a business card for her.  There is only a second of hesitation before he makes that two business cards.  One he slides across the table to River.  One he offers to Farrah.

They are not embossed with the name that he gave them.  Instead, in slightly raised, slick cobalt ink is printed,  'Kalen Holliday.'  There is a phone number and an email address.  No job title.  No physical address.

And then, as he is offering Farrah a card his attention finally lights on Steel.  Curious.  And a bit more wary than on his initial survey of either River or Farrah.

"Curious," he says, very quietly.

Steel
[Do we spot Kalen's attention?]

Dice: 5 d10 TN5 (4, 4, 4, 5, 6) ( success x 2 )

Steel
While most of her attention may be on the door, certainly more than she’s expending on the food or the drink sat in front of her, she’s still aware of what’s going on around her.  Call it a survival trait, some part of the back of her mind keeping an eye out for sound or movement that could be a threat.  There’s that nagging part of her brain pulling her gaze back towards the table of Awakened.  They hadn’t so much as batted an eyelid in her direction while she was settling.  Now?  Now there’s a gaze that isn’t washing straight over her.

Pale eyes are met by dark eyes across the tables.  This, most definitely, isn’t any kind of swiping moment.  This is more mutual assessment.

Are you a threat?

She knew that there were what Elijah considered good people in the city, but she also knew that there were bad people.  People who attacked without warning.  Techs.  And who the hell knows who else.

There’s no flight just yet, but there is some extra tension in Steel’s body language.  The shoulders hunch, there’s a tiny turn on the chair to make it easier to stand.  But instead of immediately leaving, she keeps watching and raises her glass and lifts it in this man’s direction.  Besides, there may well still be another man looking for her in the street.  The longer she stays here, the more chance she has of escaping him.

Farrah
[skip me a round, there's meatspace activity]

River
She looks at the name on the business card and concludes that she is going to call him Elliott, because he introduced himself as Elliott. Because, very clearly, he had reasons for introducing himself as Elliott and probably did not want to get his business cards reprinted. There's plenty of reasons to have a card with a different name on them.

In turn, she reaches into her purse, with a little rifling, and produces a notecard. On the back, there are the ingredients for baklava written in Spanish along with some basic instructions. On the other side, she quickly writes her name (River) and her phone number (from some place near the US/Mexican border). She puts it on the table instead of handing it immediately over. Pushes it in his direction.

Curious, he says.
"Hmn?" she perks up, gives a look around but misses Steel entirely (probably a comfort for her- not everyone could so easily pick up on her presence.)


Farrah
As much as she wants to make a smart-assed comment about the abundance of euphemisms in the conversation the appearance of a business card and the tugging of her friend's attention stays her tongue a moment. Only a moment though. She cranes her neck to see the business card Elliott hands to River and then she accepts the one he offers to her and then she follows their eyes.

Curious.

"I'm gonna go get a taco," she says to River. "Whatchu want?"

Elliott Chandler
Steel could be a Technocrat.  She could be one of the Order.  (There are, after all, reasons he is so cautious about a few of the things that he does.)  She could just be as wary as he was when he arrived and more prone to hiding.

There is a moment where the two of them regard each other.  In the end, she gives nothing away.  He smiles a little, drops his eyes from hers for a second, and then raises his margarita in a brief return salute.

"Perhaps nothing," Elliott says to River, still quiet.  "At any rate, nothing that is likely to escalate into gunshots.  Tonight.  Probably."  He flashes her a quick grin.  "Maybe."

Steel
Their gazes meet and there’s a mutual assessment.  Are you a threat?  Steel’s face freeze, a mask coming down to stop any traces or tells giving away any signs of weakness.  She doesn’t know who, or what, this man is.  Showing weakness is sometimes all it takes for things to take a turn for the shitter.  Elliott comes away none the wiser, beyond there’s nothing immediately threatening in her body language.

Steel comes away with a better read of the man, as though he isn’t even bothering to hide what’s running through his mind.  What she sees is enough to keep her sat in her seat rather than start heading towards the door.  She still doesn’t know what he is, but at least for the moment he doesn’t seem to be an enemy.

Steel settles back a little more in the chair, getting a just a little more comfortable.  She breaks the eye contact with this man and returns to watching the door.  Happy to leave them alone if they leave her alone.

River
"Another margarita? Wheeeeen I finish this one?" she tells Farrah, leans over and is more than comfortable with her friend. There is, however, an unspoken truth- if River was having another margarita, then either Farrah was taking her home or she was getting a cab. (Or, the unspoken third option, that she would stay at this place until she sobered up, but River happens to like margaritas. Her limit is two and she is staying at that limit, thank you very much.) She offers it to Farrah to try, as if she may have wanted to partake without having to actually order one.

She poked Farrah, looked over, "you're going to need to take me home. I walked here from work. I'll buy you food," Bats her eyelashes, looks at her like her big, brown eyes could communicate the most clear and precise please that transcended the need for all language entirely.

He days things won't progress to gunfire. Probably. Maybe. She grins back, undaunted but playful-

"Maybe," she repeats, "and perhaps nothing are just things that keep you hooked on reading to the next page. And if it isn't going to erupt into a western shoot out then I feel like it is my duty to see it through that something interesting happens."

Farrah
Of course Farrah tries the margarita. Sniffs it to ascertain how strong it is and then fixes River with a pointed look. A pointed somewhat disappointed look. Like River is supposed to save that for emergencies. She's a doctoral candidate for fuck's sake River she doesn't even have time to jerk off and here you are.

"Fiiiiiiiine," she says. Takes a quick swig of the drink and puts it back down. Looks Elliott dead in the eye like to cut him a warning and then looks back at her friend and holds out her hand for River's wallet. "What's the matter, you afraid you're gonna have a repeat of the Akashic incident?" Slaps her on the shoulder with the wallet. "You big slut. I'll be are be."

And off she goes.

Elliott Chandler
Elliott stops paying so much attention to Steel, although he tracks her now, in little glances.  Just in case.

"I feel," he says to River, with his smile back.  "As though I should make some clever analogy between meeting me and encountering interesting things and gateway drugs, but I am, alas, too lazy.  Still, in my experience, the one thing Denver is not is boring.  Particularly when you get to know her."

He takes a sip of his margarita, but it is very small.  There will not be violence.  Probably.  Maybe.

But, all the same,  he is taking no chances on being ready.

All Farrah really gets in response to her warning is a slight shrug.

Steel
Bits and pieces of conversation drift through the restaurant, random snatches devoid of context.

Akashic incident.

So many ways that those two words could be interpreted.  Some bad, some… not quite as bad.  Hell, when was anything good ever described as an incident.  She doesn’t bat an eyelid at the thought of an Akashic having some unfortunate encounter, but the circumstances of the incident…  The passing thought that she could try to make contact with the man in the group disappears.  At least until she can get a better idea about him.  She has a contact with the local Awakened now – a contact whose couch she’d woken up on the morning after they’d finished off a rather fine bottle of whiskey – so she isn’t quite so desperate for contact.  She’d gotten the information that she’d wanted, even if it hadn’t been good news.  But then again, this was a city without any great Traditional oversight.

Things could definitely have been worse.

For now, though, she’s happy with their little détente.  An unspoken understanding that I won’t bother you if you don’t bother me.  An understanding that should last until she leaves, once she’s happy that she’ll be able to slip away into the backstreets.  She takes a sip from the glass and looks at the now-cold food.  She hadn’t been hungry when she’d bought it, she wasn’t any hungrier now.  It’s left to one side while she waits a little longer to leave.

River
The wallet does come out, gets handed over- it's a bright and colorful thing that she likely picked up from a Target or got as a birthday present because something about it seems to just scream this was a birthday present. Blinks some doe-eyed you can't possibly be upset with me look at Farrah, as though she can leverage the fact that she is adorable and willing to share her booze.

"I'm not going to mope around the apartment for a week this time?"

And she did. Last time, River did mope. Learned a few things about past lives and a long standing multigenerational feud, sure, but it didn't stop her from moping. "On my honor as a lady, no moping."

Raises her hand.

Scout's honor.

Elliott tells her that Denver is, most assuredly, not boring. Particularly when you got to know her, "so, should I start romancing the city, then? The people are really friendly, or maybe I just caught most people on a good day."

A beat. A playful grin that just hinges a tad on hopeful.

"I'll pretend like it was a very witty analogy. I'll venture to say you get me to blush again."

Yep, Farrah. This is the beginnings of the Akashic incident all over again. There will be moping. Oh, yes. There will be moping.

Elliott Chandler
Elliott is...well, Elliott is a composite of things that he was designed to be and those things are facets of the person who drew those traits together and gave him a Name and a history and interests.  A man who learned to operate cameras and SCUBA dive.

But, Elliott is not, cannot be the whole of that picture.  Even if that was what he wanted.

And so, Elliott laughs, but in some ways it doesn't occur to him that he and River are flirting.  In some ways he cannot quite let go of the thoughts of impending war and evaluating the three new Magi in this place.  In some ways, they are not really flirting at all.

But he laughs and when that laugh fades he smiles and then he says, "You should be careful though.  Sometimes she plays rough."

Farrah
Honor as a lady.

Farrah's counter to a certain someone's referring to them as 'you ladies' was to laugh a throaty unattractive laugh and crow HE CALLED US LADIES. She doesn't hinge on the word this time. She just flicks a sarcastic set of eyebrows and wanders off to get the margarita and the tacos.

At some point she drops off the margarita and the wallet. Then she wanders off again mouthing call me as she goes.

[thanks for the scene guys! i gotta bail for a bit.]

Steel
For now, then, all there is to do is wait.  To wait and to vanish again.  And right now, she does make a move.  The barely touched water and broken up food is abandoned on the table and the unnamed, forgetting woman makes a move towards the back of the restaurant again.  Only this time, it’s the ladies’ room she disappears into.

Hey, nature still calls to reality deviants.

River
She has no idea that Elliott Chandler is not anyone other than the person he has presented. There are hints, of course- a name on a business card. He has a tailor, who is accustomed to strange requests. He has access to a private shooting range, or a place that he feels comfortable shooting where there aren't other people around. He's reading a book about spirit photography.

She doesn't know he has a tradition, and she doesn't ask. Doesn't try and piece together the little enlightened portions, though he can more-than-likely figure out hers. A little too much sunshine for a creature who turns the wheel. But, perhaps, they are there and talking and what River does is harmless. What River does is normal.

Sometimes, she likes feeling normal. Sometimes, she likes for things to feel like they aren't coming apart at the seams and like she doesn't have to figure out where on earth in the cycle they are. Doesn't have to try and look back and see how she's handled it before. Sometimes, she just gets to be in the moment, and she likes that. Gives a man her phone number with a recipe for baked goods along with it.

"No city plays gently, it's just a matter of figuring out what her hot buttons are. Whether or not the way she pushes is a way you're ready to push back against," a little contemplative, and while the smile stays on her face maybe her thoughts wander. Maybe she does wonder what holes she's not asking about.

"People are resilient, though. I've got too much to do to crack."

Elliott Chandler
Elliott has not made a determination about her Tradition.  There are any number of people who would not expect his Tradition to be what it is.  He still gets shit from Gallowglass about how everyone kept assuming he was one of the Ecstatics.  Not that Kalen sees anything wrong with that.

But then, this is how those things happen.

People are resilient, River says. And he agrees with that.  Of course, they are also so fragile.  It was the glorious interplay between those two things, he sometimes thought, that made them so beautiful.  The ways they hid their flaws and exposed vulnerabilities.  The way times that they obscured the truth in contrast with the way that they could sometimes use it like a light.

There was artwork like that.  Light and dark.  What was it?

"I never thought of it that way," he says quietly.  "I always saw it more as pushing forward with her."  Of course he would.  A gallant charge forward.  Into a better world.  Into a fight of good and evil.

Light and dark.

Chiaroscuro.  The art style.  It was chiaroscuro.

River
"To be able to push forward with the city would mean that you're a part of it," she replied, shook her head, "I didn't feel like I was part of San Diego, and Denver and I aren't close enough to have an accord. I made my home in people instead of places."

And now she was homeless, lit the damned place ablaze for the insurance money... or because the foundation was rotten... or because she couldn't- they couldn't-. River doesn't want to think about San Diego, but she does. Something that hits the edges of her tone and she doesn't hide the fact that she's more refugee than pilgrim.

That look drifts across her features for a moment, soon enough she realizes it and it gets pushed aside in favor of a realigning of empathies. A moment where she tries to picture things the way he does.

"It must be nice, though, to have a big community like that."

Grace
[Awareness!]

Dice: 5 d10 TN6 (1, 1, 1, 6, 10) ( success x 2 )

Grace
Does Grace know for certain that all these people are here tonight? No. Not really. But there's that feeling in the air, like Mage potpurri. Like someone went and shoved a bunch of feelings and ideals and ideas into a blender and asked the question: Would it?

So of course she's going to stop by. This place makes great tacos anyway.

Thus, she adds her own blade-winged resonance to the weirdness in the air. The poor Sleeping people in this place must be flummoxed as to why they feel so on-edge...

Upon arrival, she, of course, walks straight up to the group around Kalen. "Big? We have a big community? Hi."

Grace
[Well, I say group, I mean... there's just two people there. I forgot Farrah left >_>]

River
(River+River's gigantic purse, it's a group)

Elliott Chandler
Elliott laughs at that.  "No," he says.  And his tone is with wonder and sorrow and hope.  "Only that you wed your fate and your will with her, at least for the moment.

"I have few enough friends here.  Fewer by the day it seems, at times."  He smiles a little.  "But that, in some sense, may not matter.  Not for what I do."  He smiles, and this not the playful smile.  There is no laughter here, only a glimpse at the driving sense of purpose that underscores the things he does.

"If you want to make peace, you don't talk to your friends.  You talk to your enemies."  It is, by the tone, reasonably evident that he is quoting someone.

And then his attention slides off if River to Grace.  "Hello, Kit."

River
"Should I ask what you do?" River starts, "a man with a voice that that has things to say." She's not flirting with him, not right now. She had been, probably would again, but for now she's just struck with him. Smitten in some way that does not speak of romance but a greater sensibility. One can find awe in those who are not afraid of having a purpose.

Big? she hears. Startles her, since she'd been so focused on tone and elsewhere. There's a feeling that pings on her senses.

She looks at Grace.

There is this moment that passes over River's features, and she makes no attempt at hiding it, that comes over her features that says oh shit, I am supposed to know your name and I have forgotten it but I don't think it was Kit but it might be Kit oh god, etiquette gods, help me! But the Etiquette Gods do not listen, because the Etiquette Gods do not heed the pleas of young woman covered in gold glitter.

It violates a ban or something. The gods have rules, you know.

WE have a big community? Hi.
"Hi!" blank look, searching, failing, failing, Horse? Name? Name not found.

She probably had things that she could have said to Kalen, could have kept with the inspiration and could have filed away what he had said, likely did file it away and found that little moment of intrigue, something that made her eyes light up and made her lean in a little closer and made her want to forget about her drink and focus, instead, on the company she was keeping and his content instead of how lovely his eyes were.


Grace
"Bah. Yeah, this guy has few friends," Grace says, sarcasm-laden, and rolls her eyes. "Don't listen to a thing he says."

She knows, Kalen. Knows how you think nobody loves you, when half of their little Denver community would die for you. And the other half just don't know you well enough yet.

Someday, maybe Kalen will know himself. That would be a day.

"I remember you. Basketball," she says, and points to River. Don't be embarrassed, she doesn't remember your name either.

Elliott Chandler
"At my current rates, I expect to only have about three of you soon enough.  And then, I can only hope we've been successful enough that I won't have to worry about whether or not you're all bulletproof."  Or whatever-proof.  But one should not mention the possibility of being massacred by men in suits wielding lasers.  Virii.  Helicopters.

Possibly executed by their own Tradition.

Not here, at least.  Not now.

"Still," he says to River.  "It might be worth mentioning that most of my friends maintain I should take a Valium or three and realise more people love me than I might expect."  Says the man gathering support from the most unlikely collection of people for the most unlikely things.  And at least one of those less because they expect him to succeed and more because they want to be close enough to save him should it fail.

The man who charmed a girl who killed him in a vision.  Maybe even in some alternate incarnation of this world.

Definitely, definitely practically friendless, this one.  Indeed.  (Okay.  Actually.  Maybe trust Grace on this one, River....)

River
"Right!" there has been an accord reached- Grace does not remember her name and she does not remember Grace's so she gets to introduce herself and not be  awkward. She offers a hand, stands when she does because she doesn't necessarily greet people sitting down, scoots her purse out of the way so that the giant pink bag was not causing any imposition on their people space, "I'm River."

River has an accent, a cadence to the way she speaks that indicates that she is much more comfortable speaking Spanish, or that she might have grown up in a situation where English was not the primary language spoken around her. She doesn't seem to have any trouble whatsoever with English, though.

"And I am taking this delightful woman's advice and not believing a single word you say with regards to the volume of friends you may have, Elliott," she shakes her head, as though this was enough. "And shall continue to find you charming until proven otherwise."

Innocent until proven guilty, you see.

Grace
"See? You're already at the charming phase. I'm taken to believe that most people do not find him charming at first, and think he is an asshole. But he grows on you, like a lichen," she says, grins at Kalen. Of course, she never once considered him an asshole. It was always blackberries and rain with her.

Then, her attentions turn back to River. And yes, she actually shakes hands like a 'normal' person. "I'm Grace."

Steel
[Think I'm going to go crash out.  Just say Steel slipped out of the restroom window.  Thanks for the scene and I look forward to the next time! :)]

Elliott Chandler
"Exactly like a lichen," Elliott says with a laugh.  "See.  Such ringing endorsements."  But he very clearly is not at all upset.  And, perhaps more clearly, he adores Grace.

"Some people find me charming at first."  He laughs again.  "And, you should know, the common factor in that appears to be discussing firearms.  I might bring her by the range sometime."  Though he does not mention, at this point, that there is a library.  He's not, not quite, ready to share that information.

River
"A lot of people overlook the bonding that can happen over .45 calibre rounds, but provided you have the proper ear protection I don't see why this isn't a much more common hang out idea," she says, shrugs and takes a drink of her margarita. Smiles around the rim and takes in the fact that people are laughing. That these two are familiar with each other.

She likes watching friends interact, there's a quiet joy in her expression. Fingers interlace in front of her and she just observes. There is a second though, that she looks up. Like she's searching for a translation for what exactly lichen are.

Oh, wait, there. She has this dawning look, and she laughs, a second after it all, because she just figured out that lichen and liken are not the same word and she finished fighting with context clues.

Grace
"Ohh, man. If you like guns, you and Kalen are going to get along like things that go really well together," Grace says, pulls out a seat, plops herself into it.

"That's right -- you did invite me over for guns that first day, didn't you? I just distracted you with lots of philosophical nonsense instead of shooting."

Well, she calls it philosophical nonsense. Really, they were discussing magic, and their takes on it. So perhaps not nonsense.

"I'm not big on guns. Normal ones, anyway. I have a laser tag arena though. If you get tired of bruising yourself with high-calibre rifle kickbacks, you can go run around in that."

Elliott Chandler
"Yes.  And then you distracted me until finally a priest had to teach you to shoot."  Elliott laughs again.  "Which might qualify as the best failure story I have to tell...."

"Mmmmmm...I do prefer laser tag for bonding.  Though, bonding over .45 calibre rounds is a thing that happens.  Not my usual preference for target practice, but certainly a valid one."

River
"... you have laser tag?"

With the kind of awe and reverence written on her features that one only originally reserved for cute things, like baby sloths and buckets full of kittens.

"How did oyu get room for a laser tag arena? My apartment is ridiculous for rent!"

Grace
Grace laughs at Kalen's failure story. Yes, a priest taught her how to shoot. "But it was Pan. He was more badass than priest, and he was very priest."

"And yeah. We have laser tag," she says, with a fake-smug smile.

She's a little proud of that one. It's the Danger Room of Supreme Awesomeness. And it's Her Baby.

Elliott Chandler
Elliott smiles.  "He is, in fact, fantastic at being both of those things.  I miss when he was around more."

"We have," he says to River, "A few assets.  Some of which are property.  It's considerably cheaper outside the city proper.  And considerably less visible.  Also.  Warehouses.  Warehouses are inexpensive and highly customisable."  There is a quick flash of a grin.  "Also, relatively non-flammable, in and of themselves.

"I will be more impressed if we ever get a helicopter, really.  Although, those are more likely to attract attention.  So.  I suppose that will have to wait until we have a proper underground superhero cave.  And fuck if I have time to figure out the logistics of that."

River
The world is small. The world is very, very small and getting smaller because when someone mentions the priest and then clarifies that it is Father Francisco-freaking-Echeverría and she's in the middle of taking a drink or taking a bite or doing something (realistically, she just chokes on the air). Coughs, eyes water, hand goes to her chest like she needs a minute to remember that breathing is important and she is not going to be able to breathe in a minute-

She reaches for her napkin and manages to keep from making a complete ass of herself choking on whatever it was she choked on.

"My mentor thought very highly of Father Echeverría, but I didn't know he'd come through Denver," she said, "does he keep in contact?"

Ah! Look, they're talking about real estate. She puts her napkin down and keys into that. Eyes bright but there is a tension in her shoulders. Or maybe she was still just reeling from the fact that she aspirated tequila and lime juice.

"I'm starting to find that real estate that isn't flammable is probably one of the better investments a person can make. If you are ever looking for a fourth... or fifth... or whatever-eth in laser tag, I'd always be in."

Grace
Kalen starts talking about making an underground superhero cave with helicopter, and it's exactly what she's come to expect out of him. The big ideas, the fanciful ones -- some of which actually come true...

"Not often," Grace says in response to River's question, "But that's pretty much because he can't figure out how to use a telephone. Literally. His texts are in all-caps, like he needs to shout in the absence of his illuminating presence."

If you haven't been paying much attention, Grace doesn't hold back with insults, even (especially) toward her friends. The way she speaks of Pan, she likes him a great deal, technophobia notwithstanding.

"If you're a friend of Pan's, you're a friend," she says, and looks to Kalen. It's time to offer the full services of the welcome wagon, no?

Elliott Chandler
Elliott watches River nearly choke and then looks over to Grace.  "I am totally baffled," he says, "By the way everyone responds about him."

Grace's dig about Pan's inability to use a phone earns her a little kick of her chair leg, but judging by the fact that he cannot help a smirk for a second, he too recalls Pan's initial forays into Ginger.

"But yes.  In that case, I suppose you should come out and play laser tag and maybe check out the library.  And we can fill you in on all the other cool places and toys you'll have at your very fingertips."

There is, for a second, a little crease drawn between his eyebrows.  "Considering everything...as soon as possible," he adds quietly.  "Perhaps even put your food in a box, tragic about the margarita but we have a full bar at the library as soon as possible."

[Although it being 2:30 in the morning, if it is that soon, it will have to be another scene.  As much fun as I am having.]

River
If you're a friend of Pan's, you're a friend
She puts her hands up and shakes her head, vigorously, "Nononononono, we've never met- they were friends. We are not friends, I-I can't ride those coat tails. If I am going to earn your trust I do not want it based on a misunderstanding."

Emphatic, yes. Pleading, certainly. She clears her throat, looks uncomfortable, looks like she has to jump into the fray with something that is a little like a wound whose stitches hadn't yet healed. Still fresh, may bleed, but open anyway. There's something she's avoiding, somethign that she won't come flat out and say because here she was talking to people she's just met and remembering suddenly that she still has to walk back to her car and go home tonight

She drops her voice. River isn't so steady.

"If my mentor were still around, and if you had met, that would be different, but... I... Father Echeverría was, and is, just another in a long list of people I would have loved to have met. That's all."

They're offering things and she looks positively wounded. River's getting her things and picking up, offers the most apologetic of smiles, misty-eyed though. "I-I have to go, I'm very sorry."

Which she does end up repeating in Spanish. If she isn't interrupted, she makes for a very, very hasty exit.


Grace
Grace gives Kalen a look, a little touch of fear. Did I do that?

"Um. River? Hey, that wasn't what I meant!"

Aww, shit. Well...

"I mean, if you have respect for the guy... it means..."

Fuck the Rule of Shade. She pulls out her cell phone.

[Secure Communications -- 2 Corr, 2 Entropy = Directly connect to River's electronic devices and send her a secret text with end-to-end encryption]

Dice: 3 d10 TN5 (3, 5, 8) ( success x 3 ) [WP]

Grace
I think you misunderstand. I meant, if you respect and admire Pan, you're not a Technocrat or worse. We don't have to worry about that when it comes to you.

So you gained our trust, deal with it.

Elliott Chandler
"If it helps, you were pretty much in already.  It just freaks people out when I make choices about who I trust in five minutes, so now I pretend it takes longer."

Elliott glances over at Grace.  "Sorry.  Not actually any smarter now.  But hey, you tried."

Maybe he would be more concerned River was bolting if he hadn't given her his number.  If he didn't suspect she could contact Pan.  If he wasn't reasonably sure that he or someone else would find them again.  Mages practically had gravity of their own here.

And then there's also that he has Grace.

Who can hide from Grace?  People who don't need his help, that's who.  If they can hide, then they will be okay.  If they can't, they'll be found.  Preferably quickly and by Grace.  And then they'll still be okay.

And look, Grace is already on doing something.  So why would he be worried?

River
There are two sets of chirps. One from each of her phones. One is more like a robin and the other is more like some human approximation of what a bird is supposed to sound like, no real bird but the concept of a bird. Whatever the case it makes her stop, makes her go for her phone to check.

She looks at the text message, though it does seem that she and Pan do share a similar difficulty with technology. She's not graceful with her phone, but she inhales sharply when she sees the text message. River still looks like she might start crying, but it stays. Farrah would have been able to attest- River Vasquez had no problems with crying. It was just something that she did.

She laughs, and it's like a release valve.

"Okay, okay I can deal," puts her hands up a little like she surrenders. Sniffs and smiles, wipes her eyes quickly, "and I can get a to go box."

Grace
Grace grins a grin of success when she gets River to surrender. That's the spirit, River. Chill. It's okay.

"I knew you could."

Well, that's a lie. She didn't, actually.

Elliott Chandler
Elliott smiles when Grace fixes it.  "Good."  He finishes his margarita, glances at the barely touched tacos, and then looks back to Grace.  "You're driving.  Or Alexander will kill me.  You want me to get you anything to go while I get a box?"

[Annnnd...pause-ish?  To resume on library introduction?]

Grace
[Pause is good!]

River
(sounds like a good pause to me!)